"Godard's most accessible film in ten years; one of the finest of his illustrious career."-Piers Handling, Toronto. In Praise of Love addresses ideas of memory, loss, the Holocaust, and Hollywood. The framing plot has the director meeting a woman he's sure he met before, and later visiting an elderly couple who are about to sell their story of the Nazi Occupation to a Hollywood studio. A film of wry humor, great visual beauty (the first half shot in 35mm black–and–white, the second in digital color), and elusive meanings, it is also a thoughtful reverie on Godard's own past.