A series of moving landscape paintings that, in terms of craftsmanship and comprehensiveness, can match up to the series of water-lily paintings by Claude Monet. The film does not focus on coincidental geography-and certainly not on social geography-but on the play of light and reflections. As indicated by the title, Benning shot his film at thirteen different lakes, all in America. Each lake only had one shot for which the preparation, the choice of the camera position, and the moment to be filmed were chosen with great care. The climate, the weather, and the season make the film extremely varied, despite its almost monomaniacal point of departure. The power of the film is that the filmmaker teaches the viewer, without being pedantic, to look better and learn to distinguish the great varieties in the landscape alongside him. (The list of lakes) alone is enough to encompass a treatise on America and its history. A treatise the film certainly encourages, but emphatically does not take part in.