From Jennifer Reeves's hand-tooled optical ecstasy Light Work 1 to Fred Barney Taylor's Atlantis, a tantalizing treatment of the Brooklyn Bridge; from Ellen Zweig's pungent portrait of a Chinese opera star, The Lonely Girl, to Leighton Pierce's defined dive beneath the surface, My Person in the Water, now with deeper ridges to the roil, we can observe the medium magnified in its particular materiality of tone and depth.