by Gerow, Aaron Andrew
Book / 2008

Country of Origin:

TitleA page of madness : cinema and modernity in 1920s Japan
Item typeBook
Author(s)Gerow, Aaron Andrew
ImprintAnn Arbor Center for Japanese Studies, the University of Michigan, 2008
SeriesMichigan monograph series in Japanese studies
ISBN
  • 9781929280513
  • 1929280513
  • 9781929280520
  • 1929280521
Volumeno. 64
LanguageEnglish
URLLink to original record
Notes
  • Includes bibliographical references (p. 117-122) and index.
  • What is the is film? -- Taishō and its cinema -- The avant -garde and the Shinkankaku school -- From Onnagata to film artist -- A less than independent production -- The screenplay -- The filming -- Editing and the print -- The exhibition of artistry -- Understanding and the problem of reception -- Divided styles -- Narrating divisions -- The logic of separation and the masking of cinema.
Physical descriptionx, 130 p. : ill. ; 24 cm.

Languages:

Date text: 
2008
Author: 
Gerow, Aaron Andrew
Publisher: 
Center for Japanese Studies, the University of Michigan
Subject headings: 

Item Type:

Millenium MARC Record: 
LEADER 00000cam 2200433 a 4500 001 276406188 003 OCoLC 005 20090707000000.0 008 081121s2008 miua b s001 0 eng 010 2008050027 020 9781929280513 (cloth : alk. paper) 020 1929280513 (cloth : alk. paper) 020 9781929280520 (pbk. : alk. paper) 020 1929280521 (pbk. : alk. paper) 029 1 CDX|b9254909 029 1 CDX|b9254910 029 1 AU@|b000043630397 040 DLC|cDLC|dYDXCP|dBTCTA|dCDX|dC#P|dVVC|dOCLCQ 043 a-ja--- 049 CUYL 050 00 PN1997.K895|bG47 2008 082 00 791.43/72|222 100 1 Gerow, Aaron Andrew. 245 12 A page of madness :|bcinema and modernity in 1920s Japan / |cAaron Gerow. 260 Ann Arbor :|bCenter for Japanese Studies, the University of Michigan,|c2008. 300 x, 130 p. :|bill. ;|c24 cm. 490 1 Michigan monograph series in Japanese studies ;|vno. 64 504 Includes bibliographical references (p. 117-122) and index. 505 0 What is the is film? -- Taishō and its cinema -- The avant -garde and the Shinkankaku school -- From Onnagata to film artist -- A less than independent production -- The screenplay -- The filming -- Editing and the print -- The exhibition of artistry -- Understanding and the problem of reception -- Divided styles -- Narrating divisions -- The logic of separation and the masking of cinema. 630 00 Kurutta ichipeiji (Motion picture) 650 0 Motion pictures|zJapan|xHistory|y20th century. 830 0 Michigan monograph series in Japanese studies ;|vno. 64. 956 20140620|bpfmcq|cMR 957 OCLC xref loaded 20140629 994 92|bCUY