LEADER 00000ngma 2200385Ka 4500 001 273050995 005 20081118 TAPE OCLC1118: 0136 007 vf cjahou 008 081119s2000 xxu060 vaeng 009 Reclvl: f Addate: 081119 Addid: OCL Moddate: 081203 Modid: XRF Catid: PFA 035 (PFA-FILM)16254 035 GLADN51263172 040 CUY|cCUY 090 |b0500-01-13448 245 00 Videospace :|bThe National Center for Experiments in Television, 1967-1975.|nTape 4, compilation for Videola |h[videorecording] /|ccurated by Steve Seid and Maria Troy. 246 3 Compilation for Videola 246 3 Videola 257 United States 260 United States :|bNational Center for Experiments in Television,|c[1967-1975] ;|aUnited States :|bBerkeley Art Museum/Pacific Film Archive,|c[2000]. 300 1 videocassette of 1 (60 min.) (Betacam SP NTSC) :|bsd., col. ;|c1/2 in. 506 Pacific Film Archive collection; non-circulating.|5CUY. 506 PFA 0503-01-13448. Restricted: Archival. Not for research or exhibition. 520 The National Center for Experiments in Television was the first of the TV labs established in the late 1960s. In its earliest conception, the NCET was the Experimental TV Project, housed at KQED. The principal impetus behind the Experimental TV Project was to provide equipment access to artists who would explore the material crux of this overly commercialized medium, simultaneously developing alternative visual languages. From September 14, 2000 to November 15, 2000, the Pacific Film Archive exhibited video artifacts from the National Center for Experiments in Television (NCET). The centerpiece of Videospace was Don Hallock's 1973 video installation The Videola. Originally exhibited at SFMOMA, Hallock's video sculpture is a large horizontal cone made of reflecting mylar. When a monitor is placed at the small end of the cone, the image emitted is transformed into a luminous orb. The kaleidoscopic effect is heightened by The Videola's size-- yhe depth of the cone is eight feet, the large aperture approximately five feet across. What the audience encounters is a prismatic, ever-changing sphere. The Videola emphasizes an important aspect of the NCET's electronic explorations, that of encouraging visual pleasure from the primal materials of the medium. 538 Betacam SP NTSC. 590 PFA 0503-01-13448. |aCONDITION NOTE: Record created 2008/ 11/18 by sw. 650 0 Video art. 655 7 Personal/independent works.|2mim 655 7 Television.|2mim 700 1 Hallock, Don. 710 2 National Center for Experiments in Television (NCET) 710 2 Berkeley Art Museum and Pacific Film Archive. 935 GLADN51263172 941 0 PFA 0503-01-13448. PFA Collection acquisition 2000 948 PFA 0503-01-13448. Restricted: Archival. Not for research or exhibition. 956 PFA 956 20140224|bPFA migration/merge load 957 OCLC xref loaded 20140309 993 20130624|bGov Doc 994 02|bCUY