LEADER 00000ngm 2200421Ma 4500 001 43993942 005 20000506 TAPE oclc9991: 0156 007 mr caaadunartabac199209 008 000710s1967 xxu010 mceng d 009 Reclvl: f Addate: 000710 Addid: OCL Moddate: 080528 Modid: XRF 035 (PFA-FILM)224 035 GLADN50874411 040 CUY|eamim|cCUY 090 |b1604-01-2722 245 00 7362|h[motion picture] /|cby Patrick O'Neill. 257 U.S. 260 [United States :|bPatrick O'Neill,|c1967] 300 1 reel of 1 (349 ft.) (10 min.) :|bopt sd., col. ;|c16 mm. |3triacetate print. 500 Animation. 500 Running time: 09:40. 500 No date on film; date supplied from: filmmaker's filmography, Pacific Film Archive People file. 506 PFA 1604-01-2722. Restricted: Not for research use. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 508 Sound [i.e. music], Joseph Byrd, Michael Moore; recording, Gary Margolis; assistant, Tinta. 510 4 Youngblood, Gene. Expanded cinema,|cp. 97-100 510 4 "Catching up with Pat O'Neill: an interview," University Film Society Center Research Program, Symposium on the future of special effects and animation, v. 7, no. 4, |cPacific Film Archive People file: Pat O'Neill 510 4 Patrick O'Neill interviewed by Miles Swarthout,|cPacific Film Archive People file: Pat O'Neill 520 This film uses optical printing and solarization to create abstract animation from originally live footage. 7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract). 541 0 PFA 1604-01-2722. D0391 590 PFA 1604-01-2722. |aCONDITION NOTE: Last inspected: 09 Sept 1992; dirty; Excellent condition: no splices, no scratches, but dirty (dirt might be embedded in print; needs to be cleaned); color good 655 7 Shorts.|2mim 655 7 Personal/independent films.|2mim 655 7 Animation.|2mim 690 U.S. films. 700 1 O'Neill, Pat. 700 1 Byrd, Joseph. 700 1 Moore, Michael. 700 1 Margolis, Gary. 700 0 Tinta. 740 01 Seventy-three sixty-two. 935 GLADN50874411 941 0 PFA 1604-01-2722. D0391 purchased with the aid of funds from the NEA; logged in 05 May 1976 PFA. 948 PFA 1604-01-2722. Restricted: Not for research use. 956 20140224|bPFA migration/merge load 957 OCLC xref loaded 20140928 961 PFA 1604-01-2722.|bStored on 400 ft. reel. 994 92|bCUY