LEADER 00000ngm 2200565Ka 4500 001 49561529 005 20020411 TAPE OCLC0411: 0322 007 mr caaafmnartuua-c----- 008 020412s1961 fr 080 mlfre d 009 Reclvl: f Addate: 020412 Addid: OCL Moddate: 080529 Modid: XRF 035 (PFA-FILM)9577 035 GLADN84591244 040 CUY|cCUY 041 1 fre|beng 044 fr|ait 090 |b3500-01-4387 245 04 Une Femme est une femme|h[motion picture]/|cRome/Paris Films ; producer, Carlo Ponti, Georges de Beauregard ; based on an idea by Genevieve Cluny ; adapted, written and directed by Jean-Luc Godard. 246 3 Woman is a woman 246 3 Donna e donna 257 France ; Italy 260 France :|bPathe Contemporary Films,|c1961. 300 5 reels of 5 (80 min.) :|bsd., col., scope ;|c35 mm. |3print. 500 Production date and credits taken from AFI catalog. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 508 Director of photography, Raoul Coutard ; art, Bernard Evein ; editor, Agnes Guillemot, Lila Herman ; music, Michel Legrand ; sound, Guy Villette ; production manager, Philippe Dussart ; screenplay girl, Suzanne Schiffman. 510 3 American film institute catalog: feature films,|b1961- 1970. 511 1 Anna Karina (Angela), Jean-Claude Brialy (Emile), Jean- Paul Belmondo (Alfred Lubitsch), Nicole Paquin (Suzanne), Marie Dubois (1st prostitute), Marion Sarraut (2d prostitute), Jeanne Moreau (Woman in bar), Catherine Demongeot. 520 "Angéla, a stripteaser in a Parisian dive, and Emile, a bookseller in the Faubourg St. Denis section of Paris, have been living together for some time. Emile's friend, Alfred Lubitsch, a photographer, makes no secret of his admiration for Angéla but cherishes a hopeless dream, since she adores Emile. One night at dinner, Angéla announces that she wants to have a baby, and that the ideal moment for conception is at hand. Emile demurs, since he is not anxious to settle down to marriage. Angéla threatens to make a father out of the first man she sees but loses her nerve when a detective arrives to investigate a disturbance. She warns Emile that she will address herself to Alfred; he angrily proclaims his indifference and invites his friend up. Tired of being ridiculed, Angéla leads Alfred into the bathroom; she flirts with him but they do not make love. The next morning, Alfred sets out to convince Angéla that he loves her. He invites her to a cafe, offers her vermouth, plays Charles Aznavour's "Tu te laisses aller," and produces an old photo of Emile with another woman. Deter mined not to allow the opportunity for motherhood to pass, Angéla returns home to make lunch. Relations with Emile continue to be icy, however, and she decides to meet Alfred. 520 Meanwhile, Emile decides to marry her. He finds that she is not at work, and he gloomily picks up a prostitute. He then sets out in despair for Alfred's, only to have his worst fears confirmed. He sends a message that he is leaving for Rio, and Angéla returns home in tears. Emile decides to forgive Angéla, and they make love so that he can be equally sure of being the father."--AFI Catalog 546 In French with English subtitles. 590 PFA 3500-01-4387. |aCONDITION NOTE: Last checked April 10, 2002, heavily scratched and faded ; color pinkish ; scratch running through reel 1. 655 7 Features.|2mim 655 7 Sophisticated comedies.|2mim 690 0 French films. 690 0 Italian films. 700 1 Godard, Jean Luc,|d1930- 700 1 Ponti, Carlo,|d1912-2007. 700 1 Beauregard, Georges de. 700 1 Coutard, Raoul. 700 1 Evein, Bernard. 700 1 Legrand, Michel,|d1932- 700 1 Guillemot, Agnès. 700 1 Herman, Lila. 700 1 Karina, Anna,|d1940- 700 1 Brialy, Jean-Claude. 700 1 Belmondo, Jean-Paul,|d1933- 700 1 Paquin, Nicole. 710 2 Rome Paris Films. 856 42 |zCredits from American Film Institute Catalog. Access restricted to subscribers.|uhttp://afi.chadwyck.com 935 GLADN84591244 956 20140224|bPFA migration/merge load 957 OCLC xref loaded 20140928 994 01|bCUY