In this lecture/screening series, experts guide us in an exploration of key works of Japanese cinema.
Read full descriptionLecture/screening class (3 hours). Special admission applies.
Lecture by Susan Oxtoby. Response by Nathaniel Dorsky
A POW comes home to discover that his wife has prostituted herself to pay their son’s hospital bills. “Ozu brilliantly and honestly confronts the postwar moment” (Joan Mellen).
Lecture/screening class (3 hours). Special admission applies.
Lecture by Marilyn Fabe
Modern girl Kinuyo Tanaka quietly rebels against her traditional parents’ plans in Ozu’s first color film. “Gentle and amused in the way that it acknowledges time’s passage [and] the changing of values” (NY Times).
Lecture/screening class (3 hours). Special admission applies.
Lecture by Alan Tansman
The story of a noblewoman’s fall from grace becomes “perhaps the finest film made in any country about the oppression of women” (Joan Mellen) in the hands of director Mizoguchi and actress Kinuyo Tanaka.
Lecture/screening class (3 hours). Special admission applies.
Lecture by Susan Oxtoby
Toshiro Mifune is a sly, amoral mercenary looking to make a fistful of ryo in a lawless town in Kurosawa’s tongue-in-cheek anti-epic, which inspired A Fistful of Dollars.
Lecture/screening class (3 hours). Special admission applies.
Lecture by Miryam Sas
Hideko Takamine portrays the consummate Naruse heroine: high-minded, determined, and out of her element in a sordid world. The film “could give heartbreak lessons to Fassbinder and Sirk” (Village Voice).
Lecture/screening class (3 hours). Special admission applies.
Lecture by Tom Vick
Suzuki’s absurdist gangster thriller about an assassin who gets aroused by the smell of rice seems as wildly perverse now as it did in 1967, and has influenced filmmakers from Quentin Tarantino to John Woo.