Films that celebrate, adapt, and reinterpret writing and writers, with a stellar lineup of authors, filmmakers, and others in person.
Read full descriptionA remake of the classic 1956 sci-fi flick, adapted from Jack Finney’s novel about an alien invasion, here set in San Francisco. Starring Donald Sutherland, Brooke Adams, Leonard Nimoy, and Jeff Goldblum.
Digital Restoration
A writer, a scientist, and their “stalker” guide venture into a mysterious wasteland known as the Zone. “A dense, complex, often contradictory, and endlessly pliable allegory about human consciousness” (Slant).
A very personal profile of the great Mexican author and photographer Juan Rulfo, created by his son Juan Carlos, whose film In the Pit won Best Documentary at Sundance.
Recommended for ages 8 and up
A lonely but enterprising young girl discovers a secret garden on her uncle’s isolated estate in this magical adaptation of the famed children’s novel. “Elegantly expressive . . . celebrating nature as a force for freedom” (New York Times).
Go behind the scenes of the legendary Grove Press, publisher of Samuel Beckett, Malcolm X, Che Guevara, and more, in this illuminating documentary and testament to free speech. With A Very British Pornographer: The Jack Kahane Story.
Director’s Cut
Paul Schrader and his brother Leonard joined together with Bay Area producer Tom Luddy for this rich, compelling profile of the controversial Japanese literary giant Yukio Mishima, who committed suicide in 1970 after a failed coup attempt.
A proud black man who refuses to stand down to racism finds an unlikely friend in a young white boy (played by Claude Jarman, Jr.) in this extraordinary adaptation of the Faulkner classic.
This hymn to the ordinary typewriter is also a portrait of the countless artists, writers, and collectors (including Tom Hanks and Sam Shepard) who remain steadfast in their love and loyalty. “Pure typewriter heaven” (Don DeLillo).
Digital Restoration
This groundbreaking Cuban work explores the experiences and reveries of a bourgeois writer after the revolution. “A profound, noble film” (New York Times).