by Rivaz, Michel de; Byars, James Lee
Title[Après documenta V]
Item typeDVD
Alternate titleAprès documenta 5
Author(s)
  • Rivaz, Michel de
  • Byars, James Lee
LanguageNo linguistic content
URLLink to original record
Notes
  • Originally produced as a motion picture in 1972.
  • Pacific Film Archive collection; non-circulating. Access by appt. only. CBPF
Physical description1 videodisc (7 min., 44 sec.) : silent, color ; 4 3/4 in.
Date text: 
Author: 
Rivaz, Michel deByars, James Lee
Publisher: 
Subject headings: 

Item Type:

Millenium MARC Record: 
LEADER 00000ngmaa2200445Ki 4500 001 966435154 003 OCoLC 005 20161219020426.0 007 vd cv||rn 008 161219p20131972sz 008 vlzxx d 040 CUY|beng|erda|cCUY 245 00 [Après documenta V] /|c[film by Michel de Rivaz]. 246 3 Après documenta 5 257 Switzerland. 264 0 [Berkeley, California] :|b[Berkeley Art Museum and Pacific Film Archive],|c[2013]. 300 1 videodisc (7 min., 44 sec.) :|bsilent, color ;|c4 3/4 in. 306 000744 336 two-dimensional moving image|btdi|2rdacontent 337 video|bv|2rdamedia 338 videodisc|bvd|2rdacarrier 340 |jviewing copy 346 DVD-R|bNTSC 347 video file|bDVD video|eall regions|2rda 500 Originally produced as a motion picture in 1972. 506 Pacific Film Archive collection; non-circulating. Access by appt. only.|5CBPF 511 0 Performer, James Lee Byars. 520 "James Lee Byars found his 'perfect audience' on a sunny summer afternoon in 1972 on the ground beneath the Zytglogge, a fifteenth-century clock tower in Bern, Switzerland. At the invitation of Swiss curator Harald Szeemann, Byars had performed Calling German Names at Documenta 5 in Kassel, Germany, earlier that summer. Szeemann, the young director of Documenta, revolutionized the event by inviting artists to present not just paintings and sculptures, but also performances and 'happenings.' Byars repeated his performance in Bern, where the action was captured on film by local filmmaker Michel de Rivaz. Recently digitally remastered, the film Après Documenta 5 is presented for the first time in an American museum in the exhibition The Perfect Audience. The seven-minute film opens with Byars in the apex of the Fridericianum, on the Documenta exhibition grounds, and then moves to Bern. With dizzying camera moves, Byars appears atop the clock tower, shrouded in red, calling German names through a golden megaphone to a perplexed crowd on the ground below. Later we see Byars exiting the house where Albert Einstein lived between 1903 and 1905 as he developed the Special Theory of Relativity; at the site, Byars dedicated his performance to the legendary scientist. The film concludes with art-world types, including the artist, Szeemann, and others, sipping aperitifs and soaking in the sun in an outdoor cafe. Byars had a way of bringing a bourgeois air to radical art, redefining the concept of hot fun in the summertime"-- Stephanie Cannizzo, Berkeley Art Museum. 538 DVD-R NTSC 590 PFA 0230-01-15849 .|aTransfer from Digital Betacam master. 650 0 Performance art. 651 0 Bern (Switzerland) 655 7 Short films.|2lcgft 655 7 Filmed performances.|2lcgft 700 1 Rivaz, Michel de,|d1920-|erecordist,|efilm director. 700 1 Byars, James Lee,|eperformer. 956 20161219 |bpfmcq|cCO 957 OCLC xref loaded 20170108 994 C0|bCUY