LEADER 00000cam a2200349 a 4500 001 528397745 003 OCoLC 005 20110616213457.0 008 101025s2011 maua b 001 0 eng 010 2010045150 015 GBB030586|2bnb 016 7 015494244|2Uk 019 456169819 020 9780674053403 (hardcover : alk. paper) 020 0674053400 (hardcover : alk. paper) 040 DLC|beng|cDLC|dYDX|dUKM|dBTCTA|dYDXCP|dHSA|dBWX|dCDX|dIXA 043 a-ja--- 050 00 NX584.A1|bS26 2011 082 00 700.952/09046|222 100 1 Sas, Miryam. 245 10 Experimental arts in postwar Japan :|bmoments of encounter, engagement, and imagined return /|cMiryam Sas. 260 Cambridge, Mass. :|bHarvard University Asia Center : |bDistributed by Harvard University Press,|c2011. 300 xvii, 275 p. :|bill. ;|c24 cm. 490 1 Harvard East Asian monographs ;|v329 504 Includes bibliographical references and index. 505 0 Introduction: death acts (survival acts) -- Post- Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto - - Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms. 590 BAMPFA copy: Author's presentation inscription to Kathy Geritz on title page. 650 0 Arts, Japanese|y20th century. 650 0 Avant-garde (Aesthetics)|zJapan. 830 0 Harvard East Asian monographs ;|v329. 935 .o15222135 954 20141010|bMarcive Authority Bib 956 20110616|bPRVY 956 20160301|bpfmcq|cMC 957 OCLC xref loaded 20161023 994 92|bCUY