| Title | Exilée |
| Item type | Projected medium |
| Alternate title | Ex ilé e |
| Author(s) | Cha, Theresa Hak Kyung |
| Language | English |
| URL | Link to original record |
| Notes |
|
| Physical description | 1 film reel (50 min.) : silent, black and white, 18 fps ; 16 mm |
Languages:
Date text:
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Subject headings:
Item Type:
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Millenium MARC Record:
LEADER 00000ngm a2200445Ki 4500
001 1005378056
003 OCoLC
005 20171005031615.0
007 mr ba||d|zbd|||||||||||
008 171005p20001980cau050 mleng d
040 CUY|beng|erda|cCUY|dCUY
100 1 Cha, Theresa Hak Kyung,|efilmmaker,|enarrator.
245 00 Exilée /|cTheresa Hak Kyung Cha.
246 1 Ex ilé e
257 United States.
264 0 [New York, New York]:|b[BB Optics],|c[2000].
300 1 film reel (50 min.) :|bsilent, black and white, 18 fps ;
|c16 mm
336 two-dimensional moving image|btdi|2rdacontent
337 projected|bg|2rdamedia
338 film reel|bmr|2rdacarrier
340 |jduplicate|onegative|2rda
500 Dupe neg blow-up from original super-8, made at BB Optics
[Bill Brand], 2000.
500 This reel consists of the content both super-8 channels of
the installation piece joined together.
500 Originally produced in 1980 as a film and video
installation composed of a 10 ft. by 12 ft. white wall, 2
super-8 mm films, one 3/4 in. videotape, one 25 in. video
monitor, one audio amplifier, and 2 audio speakers.
500 Title appears on screen as a series of letters: EXIL;
EXILÉ; ILE; É; É E.
500 Original Berkeley Art Museum accession number for film
channel originals: 1992.4.290.
506 PFA 1616-121-16513. Restricted: Archival. Not for research
or exhibition. |5CBPF
506 Pacific Film Archive collection; non-circulating. Access
by appt. only. |5 CBPF.
508 Photography, Theresa Hak Kyung Cha.
510 3 John G. Hanhardt, Program note, 76 New American Film and
Video Series, Whitney Museum of American Art, 1995
510 3 Katherine Russell Bond. "Exile and the Maiden: The
performance art of Theresa Hak Kyung Cha," Korean Culture
(Summer 1996): 15-16
511 1 Narrator: Theresa Hak Kyung Cha.
520 "The two super-8 mm films, projected onto the wall at 18
fps, show through time-lapse photography subtle changes in
the definition and articulation of the composition. The
videotape seen on the monitor involves text and still
images dissolving into one another. Cha's distinctive
voice-over, with its delicate, deliberate phrases in
French and English, evokes a further poetic relationship
between the meanings of different languages and images."--
John G. Hanhardt, Whitney Museum of American Art, 1995.
541 0 |3PFA 1616-121-16513. |a D0121 |c deposit |d 2014/10/31
|5CBPF
590 PFA 1616-121-16513.|aEdge code: 7234.|aPrinting note:
print on polyester base single perf stock at lights 25-25-
25.
655 7 Experimental films.|2lcgft
956 20171005 |bpfmcq|cCCE
957 OCLC xref loaded 20171015
994 C0|bCUY