LEADER 00000ngm a2200349Ii 4500 001 1031712890 003 OCoLC 005 20180419112751.0 007 mr ca||dnnarann|c|||||| 008 180419s2017 cau016 mlzxx d 040 CUY|beng|erda|cCUY 245 00 Coda /|c[filmmaker, Nathaniel Dorsky]. 257 United States. 264 1 [San Francisco, California] :|b[Nathaniel Dorsky?], |c[2017]. 300 1 film reel (16 min.) :|b18 fps, silent, color ;|c16 mm 306 003100 336 two-dimensional moving image|btdi|2rdacontent 337 projected|bg|2rdamedia 338 film reel|bmr|2rdacarrier 345 |b18 fps 500 Part 3 of 7 of the Arboretum Cycle. 506 Pacific Film Archive collection; non-circulating. Access by appt. only. |5 CBPF. 506 PFA 1608-01-17204. Restricted: For BAMPFA exhibition only. |5CBPF 520 "Coda is an afterword to Elohim and Abaton, the first shades of death and knowing."--Nathaniel Dorsky,|uhttp:// nathanieldorsky.net/post/171173173488/final-stills-and- quotes-for-the-seven-sections-of 520 "For the past several years California experienced an extreme drought. Several winter rainy seasons with barely any rainfall. But this past winter good fortune brought a bountiful amount of storms and liquid refreshment. The spring that followed took on magical and celebratory qualities of energy, joy, fullness, and rebirth. In walking distance from my apartment is San Francisco's Arboretum located in Golden Gate Park. I decided that I would make a film now on a single subject and that subject would be the light, not the objects, but the sacredness of the light itself in this splendid garden. What I did not know is that the great beauty of this magnificent spring would bring forth not one, but four films, each one immediately following the previous. I began the second week of February to photograph and finished the editing of the fourth film during the first days of August. These four films spontaneously manifested as four stages of life : childhood, youth, maturity, and old age. ELOHIM (31 min.) was photographed in early spring, the week of the lunar new year, the very spirit of Creation. ABATON (19 min.) was photographed a few weeks later in the full ripeness of spring, the very purity and passion of the Garden. CODA (16 min.) was photographed in late spring, in the aftermath of this purity, the first shades of mortality and Knowledge appearing. And finally, ODE (20 min.), photographed in early summer, is a soft textured song of the Fallen, the dissonant reds of death, seeds and rebirth."-- Nathaniel Dorsky, http://nathanieldorsky.net/ post/171173173488/final-stills-and-quotes-for-the-seven- sections-of 541 0 |3PFA 1608-01-17204. |a D0128 |c Purchase |d 2018/03/28 |5CBPF 590 PFA 1608-01-17204. Colorlab Xenon balanced print. Edge code: Kodak 3383 |aCONDITION NOTE: Inspected 2018/03/28 dk; excellent; light marks on soundtrack area. 655 7 Short films.|2lcgft 655 7 Experimental films.|2lcgft 700 1 Dorsky, Nathaniel,|efilmmaker. 956 20180419 |bpfmcq|cCO 957 OCLC xref loaded 20180429 994 C0|bCUY