A retrospective of David Lynch’s big-screen work—a journey into a universe both banal and bizarre, incomparably strange and unsettlingly familiar.
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Kyle MacLachlan, Laura Dern, Isabella Rossellini, and Dennis Hopper inhabit a small-town America steeped in psychic dread. Thirty years later, Lynch's color-saturated noir is “still a hilarious, red-hot poker to the brain” (Guy Maddin).
Lynch’s debut feature, still creepy after all these years: “a masterpiece of texture . . . an ingenious assemblage of damp, dust, rock, wood, hair, flesh, metal, ooze” (Village Voice).
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Lynch turns the Victorian-era true story of “the ugliest man alive” into a study of prejudice, voyeurism, and human dignity, aided by a remarkable performance from John Hurt.
Hired to adapt Frank Herbert’s science fiction novel about interplanetary palace intrigues, Lynch came up with this legendarily baffling, dreamlike missive from the subconscious, featuring Kyle MacLachlan and a leather-clad Sting.
An elderly man drives his lawn mower across the Midwest to see his ailing brother in Lynch’s atypically sweet-natured work, released by Walt Disney Pictures. “It may be my most experimental film,” Lynch claimed.
Wild at Heart also screens Friday, February 14, with an introduction by Barry Gifford.
Nicolas Cage and Laura Dern are star-crossed lovers on the run from various maniacs, including Harry Dean Stanton, William Dafoe, and Dianne Ladd, in Lynch’s fantastical winner of Cannes’s Palme d’Or.
Digital Restoration
Kyle MacLachlan, Laura Dern, Isabella Rossellini, and Dennis Hopper inhabit a small-town America steeped in psychic dread. Thirty years later, Lynch's color-saturated noir is “still a hilarious, red-hot poker to the brain” (Guy Maddin).
Digital Restoration
Kyle MacLachlan, Laura Dern, Isabella Rossellini, and Dennis Hopper inhabit a small-town America steeped in psychic dread. Thirty years later, Lynch's color-saturated noir is “still a hilarious, red-hot poker to the brain” (Guy Maddin).
Bill Pullman, Patricia Arquette, and Balthazar Getty flicker across the nocturnal highways and haunts of a nightmarish Los Angeles in Lynch’s audacious “twenty-first-century noir horror film,” as he and cowriter Barry Gifford dubbed it.
Lynch’s prequel to his cult television show Twin Peaks heads deeper into the woods of small-town Americana, a province of murder, perversity, and crap interior decorating. “Lynch’s masterpiece” (Village Voice).
Wild at Heart also screens Wednesday, January 29 (without introduction).
Nicholas Cage and Laura Dern are star-crossed lovers on the run from various maniacs, including Harry Dean Stanton, William Dafoe, and Dianne Ladd, in Lynch’s fantastical winner of Cannes’s Palme d’Or.
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An ingenue recently arrived in Los Angeles (Naomi Watts) becomes involved with a raven-haired amnesiac beauty (Laura Harring) in Lynch’s Chandler-by-way-of-Borges postmodern noir, one of Sight & Sound’s “greatest films of all time.”
Lynch’s debut feature, still creepy after all these years: “a masterpiece of texture . . . an ingenious assemblage of damp, dust, rock, wood, hair, flesh, metal, ooze” (Village Voice).
Discover or revisit the rare short works of David Lynch, from films he made as a student in the late sixties to later evocations of dreams and nightmares.