This retrospective of the influential Italian director Pier Paolo Pasolini (1922–1975) features 35mm restorations, many done by Cineteca di Bologna in partnership with Cinecittà.
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Pasolini’s famous debut film, a hard-edged and lyrical tragedy set in the Dantean slums of Rome, is “incandescent” (New York Times).
Imported 35mm Print
Pasolini captures the great Anna Magnani “like a found object” (Village Voice) in her role as a spirited prostitute; her downtrodden exuberance stands in for Rome itself.
Imported 35mm Print
“Pasolini’s most satisfying movie. . . . The director’s Catholicism and Marxism serve him well here [but] the film’s beauty . . . derives from its simplicity” (Time Out).
The great Italian comic Totò plays opposite Pasolini discovery Ninetto Davoli in this Brechtian slapstick set in the time of St. Francis.
Imported 35mm Print
Pasolini’s first film shot in a bourgeois milieu is predicated on the theorem that “anything done by the bourgeoisie, however sincere, profound and noble it is, is on the wrong track.”
Imported 35mm Print
Recommended for adults only
“One of the most beautiful, turbulent and uproarious panoramas of early Renaissance life ever put on film” (New York Times).
Imported 35mm Print
“Pasolini’s most satisfying movie. . . . The director’s Catholicism and Marxism serve him well here [but] the film’s beauty . . . derives from its simplicity” (Time Out).
Imported 35mm Print
Recommended for adults only
“Chaucer is played for maximum ribaldry . . . [this adaptation is] uniformly gorgeous” (Village Voice).
New 4K Digital Restoration
Pasolini’s famous debut film, a hard-edged and lyrical tragedy set in the Dantean slums of Rome, is “incandescent” (New York Times).
Imported 35mm Print
Recommended for adults only
A magic carpet fantasy rooted in realism—filmed in North Africa, Iran, and Nepal—Arabian Nights is “Pasolini’s most beautiful film” (Tony Rayns).