To celebrate the publication of William Carroll’s recent book Suzuki Seijun and Postwar Japanese Cinema, BAMPFA is delighted to participate in a tour, organized by the author, of imported 35mm prints of films spanning several decades of Suzuki’s brilliant and varied career.
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An embattled ex-yakuza tries to go it alone in Suzuki’s most exquisite collaboration with art director Takeo Kimura. “One of the most brilliant genre movies ever made” (Tony Rayns).
Imported 35mm Print
A “double bill” of Suzuki rarities, this program includes Satan’s Town a heist film and early example of the directors inventive style and black humor; and Love Letter a surreal and haunting snowbound romance.
BAMPFA Collection
Regarded as one of Suzuki’s best films, ranking twenty-fifth on Kinema Jumpo’s “200 Best Japanese Films List” from 2009, the comic Fighting Elegy is a scathing portrait of the militarism that, in the 1930s, sent young men to war.
Imported 35mm Print
Adapting a novel by the author of The Incorrigible (Akutaro), Suzuki blends satire with melodrama to surrealistic effect to tell the story of provincial factory worker Tsuyuko (portrayed by the director’s favorite actor, Yumiko Nogawa), who tries to rebuild her life after being raped.
Imported 35mm Print
Pointedly critical of the homogenizing effects of television and consumerist, bourgeois, suburban existence, A Tale of Sorrow and Sadness focuses on Reiko, a pretty, young golfer who is selected by textile executives to be the new face of their brand. Listed as thirteenth on Kinema Junpo’s “Best Films of 1977.”
Imported 35mm Print
Reality, fantasy, life, and afterlife blend together in Kagero-za—most spectacularly in the grand finale, in which the protagonist, Matsuzaki, finds his life morphing into a deranged theatrical extravaganza. “May well be Suzuki’s finest achievement outside the constraints of genre filmmaking” (Tony Rayns).