Apichatpong Weerasethakul presents several programs and the Townsend Center for the Humanities’s Una’s Lecture during this retrospective of the artist’s haunting, beautiful, and resonant works.
Read full descriptionA strange sleeping sickness befalls a group of soldiers in Weerasethakul’s mesmeric treatise on dreams, history, and magical thinking. “Cinema as the stuff dreams are made of” (Slant Magazine). With The Anthem.
A film crew heads from Bangkok to the hinterlands of Thailand, asking people to continue improvising a story in this bewitching relocation of the surrealist exquisite corpse game. “Rarely has a first feature been more aptly titled” (Dennis Lim). With Worldly Desires.
This shape-shifting blend of modern romance and mystic parable ventures deep into the Thai jungle of myth. “A work of outstanding originality and power” (Sight & Sound).
Memoria also screens Friday, May 5 (without Apichatpong Weerasethakul in person).
Set in Colombia and starring Tilda Swinton, Weerasethakul’s first feature film made outside of Thailand covers familiar thematic terrain for the veteran director in its exploration of the blurred boundaries between the natural world and spirit realm, and the way that collective traumas reemerge as memories and dreams.
Apichatpong Weerasethakul addresses his approach to making moving images for both the cinema and installations and alternative screening spaces.
Inspired by the recollections of his doctor parents, Weerasethakul fashioned this gorgeous portrait of love and remembrance, mirrored in both the countryside and the city. “Profoundly mysterious, erotic, funny, gentle, playful, and utterly distinctive” (Guardian).
Young lovers travel to the verdant jungle seeking respite from everyday anguish in “a delicate, ethereal dream of a film” (New York Times).
For the Townsend Center for the Humanities’s Una’s Lecture, Apichatpong Weerasethakul appears in conversation with Hilton Als, who inquires into his career arc, filmmaking practice, and the particular political challenges involved in making film in his native Thailand. With Len Lye’s Free Radicals, Bruce Baillie’s Valentin de las Sierras, and Weerasethakul’s Ablaze.
This Palme d’Or winner melds the last dying encounters of a farmer, Boonmee, with a gorgeously rendered landscape enlivened by the presence of ghostly apparitions. This is not magical realism, but realistic magic.
Weerasethakul teamed up with performance artist (and San Francisco Art Institute graduate) Michael Shaowanasai for this outrageous genre-and gender-bending musical Western, which follows the exploits of a glamorous transvestite secret agent.
Memoria also screens Thursday, April 6 (with Apichatpong Weerasethakul in person).
Set in Colombia and starring Tilda Swinton, Weerasethakul’s first feature film made outside of Thailand covers familiar thematic terrain for the veteran director in its exploration of the blurred boundaries between the natural world and spirit realm, and the way that collective traumas reemerge as memories and dreams.
The Cannes-winning director of Tropical Malady returns with another mystical, magical blend of documentary, narrative, and fable, set in the crumbling Mekong Hotel, near the Thai/Laos border. With Ashes, Blue, La Punta, and Night Colonies.
A strange sleeping sickness befalls a group of soldiers in Weerasethakul’s mesmeric treatise on dreams, history, and magical thinking. “Cinema as the stuff dreams are made of” (Slant Magazine). With The Anthem.