Cries and Whispers

Alternate title(s):
Foreign Title: Viskningar och rop
Date: January 01, 1972 to December 31, 1972
Dates Note: 1972
Country of Origin: Sweden
Place of Origin: Sweden
Languages: Swedish
Color: Color
Silent: No
Based On:
Additional Info:


Curator Notes

Film Series/Exhibition Title: 
In Focus: Ingmar Bergman
Description: 

Cries and Whispers depicts the final day of Agnes (Harriet Andersson), who lies in bed with cancer. Her most dear ones—her sisters, Maria (Liv Ullmann) and Karin (Ingrid Thulin), and a companion, Anna (Kari Sylwan)—watch over her. In a film as formal as a clock’s tick, Bergman restricts his palette to colors of blood, his close-ups to the image of the soul. The four women want strength to face life, to overcome fear, to remove the curtain from behind which they look and admire, but do not go forth to touch. They are the same person in different stages of realizing that to love is to empty oneself of desire; to forgive oneself; to hear fully the cry of the present through the searing whispers from the past; to imagine a love that gives without knowing how to heal or provide rest, yet is vast and vigilant, because that is life’s meaning: to be saved by giving one’s body and soul.

Authors/Roles: 
Ryan DeRosa
,
Film Series/Exhibition Title: 
Bergman 100: A Tribute to Liv Ullmann
Description: 

Cries and Whispers depicts the final day of Agnes (Harriet Andersson), who lies in bed with cancer. Her most dear ones—her sisters, Maria (Liv Ullmann) and Karin (Ingrid Thulin), and a companion, Anna (Kari Sylwan)—watch over her. In a film as formal as a clock’s tick, Bergman restricts his palette to colors of blood, his close-ups to the image of the soul. The four women want strength to face life, to overcome fear, to remove the curtain from behind which they look and admire, but do not go forth to touch. They are the same person in different stages of realizing that to love is to empty oneself of desire; to forgive oneself; to hear fully the cry of the present through the searing whispers from the past; to imagine a love that gives without knowing how to heal or provide rest, yet is vast and vigilant, because that is life’s meaning: to be saved by giving one’s body and soul.

Authors/Roles: 
Ryan DeRosa


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