Stalker

A sci-fi tale that unwinds in the environs of the soul takes the form of a nightmarish quest for nothing less than truth itself. In a plot employing the roughest outlines of a novel by Soviet sci-fi writers Arkady and Boris Strugatsky, a writer and a scientist follow a shaven-headed “stalker” into forbidden territory, a dangerous wilderness known as the Zone. Tarkovsky forces—or perhaps allows—“reality” to yield up abstract images of startling originality. His vision of landscape is nothing less than truly mystical—these are places to be found only in humankind’s spiritual Baedeker. On top of everything else, Tarkovsky was a director who truly grasped the aesthetic power of color, and this unforgettable pilgrimage is bathed in eerie sepia hues.

Back by popular demand! A sci-fi tale that unwinds in the environs of the soul takes the form of a nightmarish quest for nothing less than truth itself. In a plot employing the outlines of a novel by Soviet authors Arkady and Boris Strugatsky, who also wrote the screenplay, a writer and a scientist follow a shaven-headed “stalker” into forbidden territory, a dangerous wilderness known as the Zone. Tarkovsky forces—or perhaps allows—reality to yield abstract images of startling originality, and his vision of landscape bathed in eerie sepia hues is nothing less than mystical.