Country of Origin:
Title | Alternative projections : experimental film in Los Angeles 1945-1980 |
Item type | Book |
Author(s) |
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ISBN |
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Language | English |
URL | Link to original record |
Notes |
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Physical description | viii, 335 pages : illustrations ; 23 cm |
Languages:
Date text:
Publisher:
Subject headings:
Item Type:
Millenium MARC Record:
LEADER 00000cam a2200397Ii 4500
001 895301525
003 OCoLC
005 20150911022804.0
008 141113t20152015enka b 001 0 eng d
020 0861967151
020 9780861967155
040 YDXCP|beng|erda|cYDXCP|dBTCTA|dBDX|dCUZ|dUMC|dEYM|dCIA
|dOCLCO|dORZ|dOCLCF|dCUY
043 n-us---
082 04 791.43/6110973|223
090 PN1995.9.E96|bA48 2015
245 00 Alternative projections :|bexperimental film in Los
Angeles 1945-1980 /|cedited by David E. James and Adam
Hyman.
264 1 New Barnet, Herts :|bJohn Libbey Publishing Ltd,|c[2015]
264 4 |c©2015.
300 viii, 335 pages :|billustrations ;|c23 cm
336 text|2rdacontent.
337 unmediated|2rdamedia.
338 volume|2rdacarrier.
500 "Alternative Projections was part of Pacific Standard Time
: Art in L.A. 1945-1980. This unprecedented collaboration,
initiated by the Getty, brought together more than sixty
cultural institutions from across Southern California in
2011 to tell the story of the birth of the L.A. art
scene."--Title page recto.
504 Includes bibliographic references and index.
505 00 |gForeword /|rAdam Hyman --|gIntroduction /|rDavid E.
James --|tHistorical materials.|gIntroduction /|rDavid E.
James --|tDistribution center for experimental films /
|rCurtis Harrington --|tPersonal chronicle: the making of
an experimental film /|rCurtis Harrington --|tA letter
from the West Coast /|rRobert Pike --|tAmateur vs.
professional /|rMaya Deren --|tPersonal state meant /
|rJohn Fles --|tA statement /|rCurtis Harrington --|tAre
movies junk /|rJohn Fles --|tLos Angeles Film Festival /
|rJack Hirschman --|tSeeing is believing /|rJohn Fles --
|tUnderground movies rise to the surface /|rKevin Thomas -
-|tStudents reflect future of cinema /|rGene Youngblood --
|tWoman as ethnographic filmmaker /|rChick Strand --
|tMouse enigma: auto-history of a film person /|rPeter
Mays --|tScholarship.|gIntroduction /|rDavid E. James --
|tScarlet woman on film: Inauguration of the pleasure dome
and The Wormwood Star: Kenneth Anger, Curtis Harrington,
Marjorie Cameron, and Los Angeles alternative film and
culture in the early 1950s /|rAlice Hutchison --|tAgainst
transparency: Jonas Mekas, Vernon Zimmerman, and the West
Coast contribution to the new American cinema /|rJosh
Guilford --|tVicarious Vicario: restocking John Vicario's
forgotten Shoppers market (1963) /|rKen Eisenstein --
|tRaymond Rohauer and the Society of Cinema Arts (1948-
1962): giving the devil his due /|rTim Lanza --|tFor love
and/or money: exhibiting avant-garde film in Los Angeles
1960-1980 /|rAlison Kozberg --|tKent Mackenzie's The
exiles: reinventing the real of cinema /|rRoss Lipman --
|tTaylor Mead, a faggot in Venice Beach in 1961 /|rMarc
Siegel --|tEd Ruscha's moving pictures /|rMatt Reynolds --
|tAsco's Super-8 cinema and the specter of muralism /
|rJesse Lerner --|tInner-city symphony: Water ritual #1:
an urban rite of purification /|rVeena Hariharan --|tNot
just a day job: experimental filmmakers and the special
effects industry in the 1970s and 1980s /|rJulie Turnock -
-|tStorm, stress, and structure: the collaborative cinema
of Roberta Friedman and Grahame Weinbren /|rJuan Carlos
Kase --|tNun notes and deviant longings /|rErika Suderburg
--|tCurrents direct and alternating: Water and power and
other works by Pat O'Neill /|rGrahame Weinbren --
|tScreenings.|tAlternative projections screenings series /
|rAdam Hyman.
520 "...a ground-breaking anthology that brings the conference
papers together with specifically commissioned essays, an
account of the screening series, reprints of historical
documents by and about experimental filmmakers in the
region, and other rare photographs and ephemera. With
contributions from scholars, graduate students, archivists,
curators, and filmmakers from three continents, the
resulting diverse and multi-voiced collection radically
extends film historiography. It is of great importance,
not simply for its relevance to Los Angeles, but also for
its general discoveries and projections about alternative
cinemas."--Back cover.
563 Illustrated wrapper.|5CU-BANC.
650 0 Experimental films|zUnited States.
650 7 Experimental films.|2fast|0(OCoLC)fst00918452.
651 7 United States.|2fast|0(OCoLC)fst01204155.
700 1 James, David E.,|d1945-|eeditor.
700 1 Hyman, Adam,|eeditor.
710 2 Pacific Standard Time (Project)
752 Great Britain|bEngland|dNew Barnet.
954 20160401|bMarcive Authority Bib
956 20150911|btbpr
956 20160321|bpfmcq|cMC
957 OCLC xref loaded 20171126
994 C0|bCUY