Title | [Après documenta V] |
Item type | DVD |
Alternate title | Après documenta 5 |
Author(s) |
|
Language | No linguistic content |
URL | Link to original record |
Notes |
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Physical description | 1 videodisc (7 min., 44 sec.) : silent, color ; 4 3/4 in. |
Languages:
Date text:
Publisher:
Subject headings:
Item Type:
Oskicat subjects:
Millenium MARC Record:
LEADER 00000ngmaa2200445Ki 4500
001 966435154
003 OCoLC
005 20161219020426.0
007 vd cv||rn
008 161219p20131972sz 008 vlzxx d
040 CUY|beng|erda|cCUY
245 00 [Après documenta V] /|c[film by Michel de Rivaz].
246 3 Après documenta 5
257 Switzerland.
264 0 [Berkeley, California] :|b[Berkeley Art Museum and Pacific
Film Archive],|c[2013].
300 1 videodisc (7 min., 44 sec.) :|bsilent, color ;|c4 3/4
in.
306 000744
336 two-dimensional moving image|btdi|2rdacontent
337 video|bv|2rdamedia
338 videodisc|bvd|2rdacarrier
340 |jviewing copy
346 DVD-R|bNTSC
347 video file|bDVD video|eall regions|2rda
500 Originally produced as a motion picture in 1972.
506 Pacific Film Archive collection; non-circulating. Access
by appt. only.|5CBPF
511 0 Performer, James Lee Byars.
520 "James Lee Byars found his 'perfect audience' on a sunny
summer afternoon in 1972 on the ground beneath the
Zytglogge, a fifteenth-century clock tower in Bern,
Switzerland. At the invitation of Swiss curator Harald
Szeemann, Byars had performed Calling German Names at
Documenta 5 in Kassel, Germany, earlier that summer.
Szeemann, the young director of Documenta, revolutionized
the event by inviting artists to present not just
paintings and sculptures, but also performances and
'happenings.' Byars repeated his performance in Bern,
where the action was captured on film by local filmmaker
Michel de Rivaz. Recently digitally remastered, the film
Après Documenta 5 is presented for the first time in an
American museum in the exhibition The Perfect Audience.
The seven-minute film opens with Byars in the apex of the
Fridericianum, on the Documenta exhibition grounds, and
then moves to Bern. With dizzying camera moves, Byars
appears atop the clock tower, shrouded in red, calling
German names through a golden megaphone to a perplexed
crowd on the ground below. Later we see Byars exiting the
house where Albert Einstein lived between 1903 and 1905 as
he developed the Special Theory of Relativity; at the site,
Byars dedicated his performance to the legendary
scientist. The film concludes with art-world types,
including the artist, Szeemann, and others, sipping
aperitifs and soaking in the sun in an outdoor cafe. Byars
had a way of bringing a bourgeois air to radical art,
redefining the concept of hot fun in the summertime"--
Stephanie Cannizzo, Berkeley Art Museum.
538 DVD-R NTSC
590 PFA 0230-01-15849 .|aTransfer from Digital Betacam master.
650 0 Performance art.
651 0 Bern (Switzerland)
655 7 Short films.|2lcgft
655 7 Filmed performances.|2lcgft
700 1 Rivaz, Michel de,|d1920-|erecordist,|efilm director.
700 1 Byars, James Lee,|eperformer.
956 20161219 |bpfmcq|cCO
957 OCLC xref loaded 20170108
994 C0|bCUY