LEADER 00000cam a2200577 i 4500 001 819717532 003 OCoLC 005 20140603044139.0 008 130422s2013 ncua b 001 0 eng c 010 2013011687 019 819717533|a859773050 020 9780822354901 (hbk. : acid-free paper) 020 082235490X (hbk. : acid-free paper) 020 9780822355045 (pbk. : acid-free paper) 020 0822355043 (pbk. : acid-free paper) 040 NcD/DLC|beng|erda|cSTF|dNDD|dDLC|dYDXCP|dBTCTA|dBDX|dOCLCO |dCUV|dCDX|dOCLCF|dRID|dCOO 042 pcc 043 a-ja--- 050 00 PN1993.5.J3|bF859 2013 082 00 791.430952|223 090 PN1993.5.J3 |b F859 2013 100 1 Furuhata, Yuriko,|d1973- 245 10 Cinema of actuality :|bJapanese avant-garde filmmaking in the season of image politics /|cYuriko Furuhata. 264 1 Durham :|bDuke University Press,|c2013. 300 ix, 266 pages :|billustrations ;|c24 cm. 336 text|2rdacontent 337 unmediated|2rdamedia 338 volume|2rdacarrier 490 1 Asia-Pacific : culture, politics, and society 504 Includes bibliographical references (pages 239-255) and index. 505 0 Intermedial experiments and the rise of the Eizo discourse -- Cinema, event, and artifactuality -- Remediating journalism: politics and the media event -- Diagramming the landscape: power and the fukeiron discourse -- Hijacking television: news and militant cinema. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 520 8 "During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the 'season of politics,' the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts"--Publisher description. 648 7 1900 - 1999|2fast 650 0 Motion pictures|zJapan|xHistory|y20th century. 650 0 Motion pictures|xPolitical aspects|zJapan|xHistory|y20th century. 650 7 Motion pictures.|2fast|0(OCoLC)fst01027285 650 7 Motion pictures|xPolitical aspects.|2fast |0(OCoLC)fst01027353 651 7 Japan.|2fast|0(OCoLC)fst01204082 655 7 History.|2fast|0(OCoLC)fst01411628 830 0 Asia-Pacific. 956 20141017|btstm|cMR 956 20140603 |bpfmcq|cCC 957 OCLC xref loaded 20161113 994 C0|bCUY