by Hösle, Vittorio
TitleEric Rohmer, filmmaker and philosopher
Item typeBook
Author(s)Hösle, Vittorio
SeriesPhilosophical filmmakers
ISBN
  • 9781474221139
  • 1474221130
  • 9781474221122
  • 1474221122
LanguageEnglish
URLLink to original record
Notes
  • Includes bibliographical references (pages 179-182) and index.
  • Pacific Film Archive collection; non-circulating. CBPF.
Physical descriptionxviii, 194 pages : illustrations, portraits ; 23 cm.

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Hösle, Vittorio
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Millenium MARC Record: 
LEADER 00000cam a2200505Ii 4500 001 949770657 003 OCoLC 005 20161005104736.0 008 160415t20162016enkac b 001 0 eng d 019 923792875 020 9781474221139|qHB 020 1474221130|qHB 020 9781474221122|qPB 020 1474221122|qPB 020 |z9781474221122|qePDF 020 |z9781474221122|qePub 040 ERASA|beng|erda|cERASA|dBTCTA|dBDX|dNLE|dOCLCO|dOCLCF|dVGM |dCUY 050 4 PN1990.72.R64|bH67 2016 082 04 791 100 1 Hösle, Vittorio,|d1960-|eauthor. 245 10 Eric Rohmer, filmmaker and philosopher /|cVittorio Hösle. 264 1 London ;|aOxford ;|aNew York ;|aNew Delhi|aSydney : |bBloomsbury Academic, an imprint of Bloomsbury Publishing Plc,|c2016 264 4 |c©2016 300 xviii, 194 pages :|billustrations, portraits ;|c23 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 Philosophical filmmakers 504 Includes bibliographical references (pages 179-182) and index. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 520 8 Rohmer is one of the most popular French directors of the second half of the 20th century. One of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema, he was fired when as a conservative Catholic he opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film. Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic. In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace. 600 10 Rohmer, Éric,|d1920-2010|xCriticism and interpretation. 600 17 Rohmer, Éric,|d1920-2010.|2fast|0(OCoLC)fst01734830 655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 830 0 Philosophical filmmakers. 956 20161005 |bpfmcq|cCCC 957 OCLC xref loaded 20161023 994 C0|bCUY