Title | Eric Rohmer, filmmaker and philosopher |
Item type | Book |
Author(s) | Hösle, Vittorio |
Series | Philosophical filmmakers |
ISBN |
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Language | English |
URL | Link to original record |
Notes |
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Physical description | xviii, 194 pages : illustrations, portraits ; 23 cm. |
Languages:
Date text:
Publisher:
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Millenium MARC Record:
LEADER 00000cam a2200505Ii 4500
001 949770657
003 OCoLC
005 20161005104736.0
008 160415t20162016enkac b 001 0 eng d
019 923792875
020 9781474221139|qHB
020 1474221130|qHB
020 9781474221122|qPB
020 1474221122|qPB
020 |z9781474221122|qePDF
020 |z9781474221122|qePub
040 ERASA|beng|erda|cERASA|dBTCTA|dBDX|dNLE|dOCLCO|dOCLCF|dVGM
|dCUY
050 4 PN1990.72.R64|bH67 2016
082 04 791
100 1 Hösle, Vittorio,|d1960-|eauthor.
245 10 Eric Rohmer, filmmaker and philosopher /|cVittorio Hösle.
264 1 London ;|aOxford ;|aNew York ;|aNew Delhi|aSydney :
|bBloomsbury Academic, an imprint of Bloomsbury Publishing
Plc,|c2016
264 4 |c©2016
300 xviii, 194 pages :|billustrations, portraits ;|c23 cm.
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 Philosophical filmmakers
504 Includes bibliographical references (pages 179-182) and
index.
506 Pacific Film Archive collection; non-circulating.|5CBPF.
520 8 Rohmer is one of the most popular French directors of the
second half of the 20th century. One of the members of the
famous Nouvelle Vague that reconstituted French cinema
based on the theoretical principles articulated in the
Cahiers du Cinema, he was fired when as a conservative
Catholic he opposed its turn toward politicization. Like
some of his colleagues, Rohmer is extremely interested in
both the history and the philosophy of film. Brother of
the noted French philosopher Rene Scherer, he begins his
career as a film critic. In his films, deep moral
conflicts as well as the search for one's own identity
emerge from the intricacies of seemingly superficial
everyday life interactions, particularly between a man and
a woman. Hosle's book puts Rohmer in the context of a long
French tradition of reflected eroticism, with Marivaux,
Musset, Stendhal, and Jean Renoir as crucial figures, and
shows how Rohmer both recognizes the inner logic of
eroticism and subjects it to moral demands that he
inherits from his Catholic background. For Rohmer, the
tension between the two can usually only be solved by some
unexpected event that can be interpreted as an equivalent
of grace.
600 10 Rohmer, Éric,|d1920-2010|xCriticism and interpretation.
600 17 Rohmer, Éric,|d1920-2010.|2fast|0(OCoLC)fst01734830
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
830 0 Philosophical filmmakers.
956 20161005 |bpfmcq|cCCC
957 OCLC xref loaded 20161023
994 C0|bCUY