| Title | Experimental Latin American cinema : history and aesthetics |
| Item type | Book |
| Author(s) | Tompkins, Cynthia |
| Edition | First paperback edition |
| ISBN |
|
| Language | English |
| URL | Link to original record |
| Notes |
|
| Physical description | x, 294 pages : illustrations ; 23 cm |
Languages:
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Millenium MARC Record:
LEADER 00000cam a22004453i 4500
001 876883046
003 OCoLC
005 20160323030029.0
008 140416s2014 txua bq 001 0 eng d
020 0292762097
020 9780292762091
040 YDXCP|beng|cYDXCP|dBTCTA|dBDX|dCIA|dOCLCO|dOCLCF|dOCLCQ
|dCUY
043 cl-----
050 4 PN1993.5.L3|bT75 2014
100 1 Tompkins, Cynthia,|d1958-
245 10 Experimental Latin American cinema :|bhistory and
aesthetics /|cby Cynthia Tompkins.
250 First paperback edition.
264 1 Austin :|bUniversity of Texas Press,|c[2014]
264 4 |c©2013
300 x, 294 pages :|billustrations ;|c23 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes a filmography with the bibliography.
504 Includes bibliographical references (pages 265-285) and
index.
505 0 Introduction: mise-en-scène, a seemingly international
staging -- A neonoir skew to the action-image. A
shimmering suture: Fabián Bielinsky's epileptic El aura --
Slippery criminal pleasures: intermediality and voyeurism
in Jorge Furtado's O homem que copiava -- Endless quest:
chasing sex, lies, and money at the gates of hell in
Heitor Dhalia's O cheiro do ralo -- Road movies. The
paradoxical effect of the documentary: Walter Salles's
Central do Brasil -- Twin piques: the double discourse of
Carlos Sorín's El camino de San Diego -- Orphans'
solidarity: María Victoria Menis's El cielito -- Drama.
Sculpting time: Inés de Oliveira Cézar's Como pasan las
horas -- The past engulfs the present: Josué Méndez's Días
de Santiago -- Experimental auteurism. Whether or not to
end one's life: Carlos Reygadas's Japón -- Crime and self-
inflicted punishment: Carlos Reygadas's Batalla en el
cielo -- Experimental auteurism and intertextuality. The
miracle of female bonding in patriarchal society: Carlos
Reygadas's Stellet licht -- Cyclical scapegoating: Inés de
Oliveira Cézar's Extranjera -- The irrevocable nature of
curses: Inés de Oliveira Cézar's El recuento de los daños
-- Splintered mirrors, echoes, and reverberations:
Fernando Pérez Valdés's Madrigal -- Experimental pseudo-
documentary. Room with a view: Fernando Pérez Valdés's
Suite Habana -- Life is and is not: Paz Encina's Hamaca
paraguaya -- Conclusion: possible futures.
506 Pacific Film Archive collection; non-circulating.|5CBPF.
650 0 Experimental films|zLatin America|xHistory and criticism.
650 7 Experimental films.|2fast|0(OCoLC)fst00918452
651 7 Latin America.|2fast|0(OCoLC)fst01245945
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
956 20160323 |bpfmcq|cCC
957 OCLC xref loaded 20160403
994 C0|bCUY