LEADER 00000cam a2200589 a 4500 001 77522739 003 OCoLC 005 20140611044517.0 008 061229s2007 ilua b 001 0 eng 010 2006103305 019 526026827 020 1931666245 (pbk. : alk. paper) 020 9781931666244 (pbk. : alk. paper) 020 9780838910313 020 0838910319 040 DLC|beng|cDLC|dYDX|dBTCTA|dDAD|dBAKER|dEYE|dYDXCP|dZP2 |dNLGGC|dUBY|dMOL|dOCLCQ|dTEF|dAKD|dBDX|dOCLCF|dCUY 050 00 TR886.3|b.G73 2007 082 00 778.5/8|222 084 24.30|2bcl 084 06.90|2bcl 090 TR886.3|b.G73 2007 100 1 Gracy, Karen F. 245 10 Film preservation :|bcompeting definitions of value, use, and practice /|cKaren F. Gracy. 260 Chicago :|bSociety of American Archivists,|c2007. 300 v, 287 p. :|bill. ;|c23 cm. 504 Includes bibliographical references (p. [265]-276) and index. 505 0 An Introduction to the Field of Film Preservation in the United States -- Birth and Development of Film Archives and the Film Preservation Movement -- The Economics of Film Preservation -- Film Archives as Cultural Institutions -- The Social Economy of Film Preservation: Implementing a Bourdieuvian Framework -- Documenting the Process of Film Preservation -- The Definition of Preservation -- Power and Authority in Film Preservation - - Evolution of the Field of Moving Image Archiving -- A Case Study in Archival Ethnography -- Genealogy of Hollywood Studios and Disposition of Film Libraries -- Evolving Definitions of Preservation, Conservation, and Restoration. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 520 "Film Preservation: Competing Definitions of Value, Use, and Practice offers a unique window on the world of film archiving. The author brings a historical, economic, and social framework to bear upon this unique community, looking at the people, institutions, and corporations that play key roles in the preservation endeavor. Through ethnographic narratives that place the reader squarely within the scene, Gracy gives readers the context to understand fully the complexities of film archiving work, and what it means to be a member of this profession. This book provides an introduction to the major players in the film community and the internal and external forces that influence film preservation, and a background of the film preservation movement. It also addresses the constraints of funding, intellectual property issues, and the orphan film movement. The primary focus is on the relationships among the various players: archives, studio and film preservation labs, and content owners."--Publisher's description. 650 0 Motion picture film|xPreservation. 650 0 Film archives. 650 7 Film archives.|2fast|0(OCoLC)fst00924254 650 7 Motion picture film|xPreservation.|2fast |0(OCoLC)fst01027139 650 17 Preservatie.|2gtt 650 17 Films.|2gtt 776 08 |iOnline version:|aGracy, Karen F.|tFilm preservation. |dChicago : The Society of American Archivists, 2007 |w(OCoLC)608160420 776 08 |iOnline version:|aGracy, Karen F.|tFilm preservation. |dChicago : The Society of American Archivists, 2007 |w(OCoLC)609338722 856 42 |3Table of contents only|uhttp://catdir.loc.gov/catdir/toc /ecip077/2006103305.html|zConnect to Table of contents only 956 20140611 |bpfmcq|cCC 957 OCLC xref loaded 20151011 994 C0|bCUY