LEADER 00000cam a2201105 a 4500 001 620837138 003 OCoLC 005 20150402041834.0 008 100517s2011 mauao b 001 0 eng 010 2010020908 016 7 015710146|2Uk 019 717778450 020 9780262015189 (hc : alk. paper) 020 0262015188 (hc : alk. paper) 020 9780262525114 020 0262525119 040 DLC|beng|cDLC|dYDXCP|dERASA|dMYG|dBWX|dCDX|dNLGGC|dOBE |dCHRRO|dPMC|dVRC|dDEBBG|dUKMGB|dMIX|dGZM|dBDX|dOCLCQ|dLHU |dOCLCF|dNYWWB|dOCLCQ|dOCLCO|dCHVBK|dCUY 042 pcc 043 e------ 050 00 PN1995.9.E96|bT88 2011 072 7 s1ba|2rero 082 00 791.43/61109409042|222 084 24.32|2bcl 084 AP 53800|2rvk 100 1 Turvey, Malcolm,|d1969- 245 14 The filming of modern life :|bEuropean avant-garde film of the 1920s /|cMalcolm Turvey. 246 30 European avant-garde film of the 1920s 260 Cambridge, Mass. :|bMIT Press,|c2011. 300 xii, 213 pages :|billustrations ;|c24 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 500 "An October book." 504 Includes bibliographical references and index. 505 0 Abstraction and rhythm 21 -- "Cinema pur" and Ballet mécanique -- Dada, Entr'acte and Paris qui dort -- Surrealism and Un chien andalou -- City symphony and Man with a movie camera -- Film, distraction, and modernity. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 520 "In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Léger, 1924), Entr'acte (Francis Picabia and René Clair, 1924), Un chien Andalou (Salvador Dali and Luis Buñuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur." 648 7 Geschichte 1920-1929.|2swd 648 7 1900 - 1999|2fast 650 0 Experimental films|zEurope|xHistory and criticism. 650 0 Art and motion pictures|zEurope. 650 0 Art and society|zEurope|xHistory|y20th century. 650 0 Modernism (Art)|zEurope. 650 7 Art and motion pictures.|2fast|0(OCoLC)fst00815412 650 7 Art and society.|2fast|0(OCoLC)fst00815432 650 7 Experimental films.|2fast|0(OCoLC)fst00918452 650 7 Modernism (Art)|2fast|0(OCoLC)fst01024442 650 07 Avantgarde.|0(DE-588)4133965-4|2gnd 650 07 Experimentalfilm.|0(DE-588)4153359-8|2gnd 650 07 Film.|0(DE-588)4017102-4|2gnd 650 07 Experimentalfilm.|2swd 650 7 Experimentalfilm.|2idszbz 650 7 Avantgarde.|2idszbz 650 7 Filmästhetik.|2idszbz 650 17 Filmkunst.|2gtt 650 17 Avant-garde.|2gtt 650 17 Esthetica.|2gtt 650 17 Experimentele filmkunst.|2gtt 651 7 Europe.|2fast|0(OCoLC)fst01245064 651 7 Europa (geografie)|2gtt 651 7 Europa.|0(DE-588)4015701-5|2gnd 651 7 Europa.|2swd 651 7 Europa.|2idszbz 655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 655 7 History.|2fast|0(OCoLC)fst01411628 856 42 |3Table of contents|uhttp://bvbr.bib-bvb.de:8991/ F?func=service&doc_library=BVB01&doc_number=022475620& line_number=0001&func_code=DB_RECORDS&service_type=MEDIA 956 20150402 |bpfmcq|cCC 957 OCLC xref loaded 20151011 994 C0|bCUY