Book / 2001
Title | The garden in the machine : a field guide to independent films about place |
Item type | Book |
Author(s) | MacDonald, Scott |
Imprint | Berkeley University of California Press, 2001 |
ISBN |
|
Language | English |
URL | Link to original record |
Notes |
|
Physical description | xxvi, 461 pages : illustrations (some color) ; 25 cm |
Related links |
Languages:
Date text:
2001Publisher:
University of California PressSubject headings:
Item Type:
Oskicat subjects:
Millenium MARC Record:
LEADER 00000cam a2200685 a 4500
001 46935868
003 OCoLC
005 20170411034524.0
008 010503s2002 caua b 001 0 eng
009 Reclvl: f Addate: 020123 Addid: PCT Moddate: 090106 Modid:
MER
010 2001027877
015 GBA239183|2bnb
019 50418551|a222575775
020 0520227379|q(cloth ;|qalk. paper)
020 9780520227378|q(cloth ;|qalk. paper)
020 0520227387|q(pbk. ;|qalk. paper)
020 9780520227385|q(pbk. ;|qalk. paper)
035 (PFA-BOOKS)7717
035 GLADN84539129
040 DLC|beng|cDLC|dPUL|dUKM|dBAKER|dBTCTA|dYDXCP|dOCLCG|dHEBIS
|dOCLCQ|dCS1|dILU|dBDX|dOCLCQ|dA7U|dOCLCO|dOCLCF|dOCLCQ
|dOCLCO|dOCLCQ
042 pcc
050 00 PN1995.9.E96|bM344 2001
082 00 791.43/611|221
100 1 MacDonald, Scott,|d1942-
245 14 The garden in the machine :|ba field guide to independent
films about place /|cScott MacDonald.
260 Berkeley :|bUniversity of California Press,|c©2001.
300 xxvi, 461 pages :|billustrations (some color) ;|c25 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references (pages 387-446) and
index.
505 00 |g1.|tThe Garden in the Machine.|tLarry Gottheim's Fog
Line.|tThomas Cole's The Oxbow.|tJ.J. Murphy's Sky Blue
Water Light Sign.|tpanoramas --|g2.|tVoyages of Life.
|tThormas Cole's The Voyage of Life.|tLarry Gottheim's
Horizons --|g3.|tAvant-Gardens.|tKenneth Anger's Eaux
d'artifice.|tMarie Menken's Glimpse of the Garden.
|tCarolee Schneemann's Fuses.|tStan Brakhage's The Garden
of Earthly Delights.|tMarjorie Keller's The Answering
Furrow.|tAnne Charlotte Robertson's Melon Patches, Or
Reasons to Go on Living.|tRose Lowder's ecological cinema
--|g4.|tRe-envlsloning the American West.|tBabette
Mangolte's The Sky on Location.|tJames Benning's North on
Evers.|tOliver Stone's Natural Born Killers.|tEllen
Spiro's Roam Sweet Home --|g5.|tFrom the Subllme to the
Vernacular.
520 Counter The Garden in the Machine explores the evocations
of place, and particularly American place, that have
become so central to the representational and narrative
strategies of alternative and mainstream film and video.
Scott MacDonald contextualizes his discussion with a wide-
ranging and deeply informed analysis of the depiction of
place in nineteenth- and twentieth-century literature,
painting, and photography. Accessible and engaging, this
book examines the manner in which these films represent
nature and landscape in particular, and location in
general. It offers us both new readings of the films under
consideration and an expanded sense of modern film
history. Among the many antecedents to the films and
videos discussed here are Thomas Cole's landscape painting,
Thoreau's Walden, Olmsted and Vaux's Central Park, and
Eadweard Muybridge's panoramic photographs of San
Francisco. MacDonald analyzes the work of many
accomplished avant-garde filmmakers: Kenneth Anger, Bruce
Baillie, James Benning, Stan Brakhage, Nathaniel Dorsky,
Hollis Frampton, Ernie Gehr, Larry Gottheim, Robert Huot,
Peter Hutton, Marjorie Keller, Rose Lowder, Marie Menken,
J.J. Murphy, Andrew Noren, Pat O'Neill, Leighton Pierce,
Carolee Schneemann, and Chick Strand. He also examines a
variety of recent commercial feature films, as well as
independent experiments in documentary and such
contributions to independent video history as George
Kuchar's Weather Diaries and Ellen Spiro's Roam Sweet
Home. MacDonald reveals the spiritual underpinnings of
these works and shows how issues of race, ethnicity,
gender, and class are conveyed as filmmakers attempt to
discover forms of Edenic serenity within the Machine of
modern society. Both personal and scholarly, The Garden in
the Machine will be an invaluable resource for those
interested in investigating and experiencing a broader
spectrum of cinema in their teaching, in their research,
and in their lives.
590 BANC; PN1995.9.E96.M344 2001: Signed by Bruce Conner
650 0 Experimental films|xHistory and criticism.
650 0 Motion pictures|xSetting and scenery.
650 7 Experimental films.|2fast|0(OCoLC)fst00918452
650 7 Motion pictures|xSetting and scenery.|2fast
|0(OCoLC)fst01027381
650 07 Experimentalfilm.|2swd
650 07 Unabhängiger Film.|2swd
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
752 United States|bCalifornia|dBerkeley
796 1 Conner, Bruce,|d1933-2008,|eautographer.|5CU-BANC
856 41 |3ACLS Humanities E-Book|uhttp://hdl.handle.net/2027/
heb.08182
856 41 |3Table of contents|uhttp://catdir.loc.gov/catdir/toc/
ucal041/2001027877.html
856 42 |3Contributor biographical information|uhttp://
catdir.loc.gov/catdir/bios/ucal052/2001027877.html
856 42 |3Publisher description|uhttp://catdir.loc.gov/catdir/
description/ucal042/2001027877.html
935 GLADN84539129
935 .b10312006
956 20170411|btbtb01
957 OCLC xref loaded 20180204
991 bb10312006
994 C0|bCUY