LEADER 00000ngm 2200469Ia 4500 001 17161070 005 20070125 TAPE OCLC0125: 0056 007 mr caaadmnarauuac------ 008 070126s1967 nyu041 mleng d 009 Reclvl: f Addate: 070126 Addid: OCL Moddate: 080525 Modid: XRF 035 (PFA-FILM)14326 035 (PFA-FILM)14325 035 (PFA-FILM)14324 035 (PFA-FILM)14323 035 (PFA-FILM)14322 035 GLADN17342792 040 VRC|cVRC|dOCLCQ|dCUY 090 |b1616-01-12834 090 |b1616-01-12832 090 |b1616-01-12833 090 |b1616-01-12835 090 |b1612-01-12831 245 04 The Great Blondino|h[motion picture] /|cby Robert Nelson, Wm. T. Wiley. 257 United States. 260 [New York?] :|bAmerican Federation of Arts,|c1967. 300 1 reel of 1 (41 min.) (1,466 ft.) :|bopt sd., col. ;|c16 mm.|3print. 500 Copyright notice: c1967 R. Nelson. 506 Pacific Film Archive collection; non-circulating.|5CUY. 506 PFA 1612-01-12831. Restricted: Do not use. 506 PFA 1616-01-12832. Restricted: Needs credit leader and reel transition adjustment (picture to picture) before projection. 506 PFA 1616-01-12833. Restricted: For PFA exhibition only. 506 PFA 1616-01-12835. Restricted: PFA exhibition backup. 506 PFA 1616-01-12834. Restricted: For research use. 508 Wardrobe, Dorothy Wiley; drone music by Moving Van Walters & His Truck. 511 1 Chuck Wiley (Blondino), Lew Welch (Cop), Sandra Juste (Trollop). 520 The great Blondino is a figurative allusion to the 19th century tightrope walker, Blondin, who was famous for walking many times across the Niagara Falls. Using no specific narrative development, the film depends upon non- verbal sensibilities to address the level of risk at which we live and the foolishness and beauty of our lives at the edge. 590 PFA 1612-01-12831. |aCOPY-SPECIFC DESCRIPTION: 1 reel of 1 (41 min.) (1,466 ft.) : opt sd., col. ; 16 mm. estar print. |aCONDITION NOTE: Last checked: 2005/07/07; New print; tends to be too pink overall; timing corrections requested 590 PFA 1616-01-12832. |aCOPY-SPECIFC DESCRIPTION: 1 reel of 1 (41 min.) (1,466 ft.) : opt sd., col. ; 16 mm. estar print. |aCONDITION NOTE: Last checked: 2005/09/12; New print; timing approved by Robert Nelson; 15 minor timing changes requested in making print #3, mostly to remove pink 590 PFA 1616-01-12833. |aCONDITION NOTE: Last checked: 2006/04 /13; New print; best print; approved with three corrections requested 590 PFA 1616-01-12835. |aCONDITION NOTE: Last checked: 2006/04 /13; New print; slightly more magenta than print #3 due to processing 590 PFA 1616-01-12834. |aCONDITION NOTE: Last checked: 2006/05 /17; New print; slightly more magenta than print #3 due to processing CONDITION NOTE: Last checked: 2007/01/25 Same. CONDITION NOTE: Last inspected: 2006/05/24; Excellent condition; Eastman 3383 2005 polyester print; some start- up handling dirt, scratch; typical running line between pix and track in 16mm emulsions 655 7 Personal/independent works.|2mim 655 7 Features.|2mim 700 1 Nelson, Robert,|d1930- 700 1 Wiley, William T.,|d1937- 700 1 Wiley, Chuck. 700 1 Welch, Lew. 700 1 Juste, Sandra. 710 2 American Federation of Arts. 935 GLADN17342792 941 0 PFA 1612-01-12831. PFA collection acquisition print #1 made from preservation internegative at Cinema Arts with funding from a Donner Preservation Grant, NEA History of the Bay Area Avant-Garde Preservation funds, and the PFA Acquisition Fund; 2005/06/07 941 0 PFA 1616-01-12832. PFA collection acquisition print #2 made from preservation internegative at Cinema Arts with funding from a Donner Preservation Grant, NEA History of the Bay Area Avant-Garde Preservation funds, and the PFA Acquisition Fund; 2005/08/11 941 0 PFA 1616-01-12833. PFA collection acquisition print #3 made from preservation internegative at Cinema Arts with funding from a Donner Preservation Grant, NEA History of the Bay Area Avant-Garde Preservation funds, and the PFA Acquisition Fund; 2006/02/15 941 0 PFA 1616-01-12835. PFA collection acquisition print #5 made from preservation internegative at Cinema Arts with funding from a Donner Preservation Grant, NEA History of the Bay Area Avant-Garde Preservation funds, and the PFA Acquisition Fund; 2006/04/13 941 0 PFA 1616-01-12834. PFA collection acquisition print #4 made from preservation internegative at Cinema Arts with funding from a Donner Preservation Grant, NEA History of the Bay Area Avant-Garde Preservation funds, and the PFA Acquisition Fund; 2006/04/13 948 PFA 1612-01-12831. Restricted: Do not use. 948 PFA 1616-01-12832. Restricted: Needs credit leader and reel transition adjustment (picture to picture) before projection. 948 PFA 1616-01-12833. Restricted: For PFA exhibition only. 948 PFA 1616-01-12835. Restricted: PFA exhibition backup. 948 PFA 1616-01-12834. Restricted: For research use. 956 20140224|bPFA migration/merge load 957 OCLC xref loaded 20140309 994 02|bCUY