Title | Immigration cinema in the new Europe |
Item type | Book |
Author(s) | Ballesteros, Isolina |
ISBN |
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Language | English |
URL | Link to original record |
Notes |
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Physical description | xv, 265 pages : illustrations ; 23 cm |
Languages:
Date text:
Publisher:
Subject headings:
Item Type:
Oskicat subjects:
Millenium MARC Record:
LEADER 00000cam a2200745Ii 4500
001 891614427
003 OCoLC
005 20160826062121.6
008 140926t20152015enka b 001 0 eng d
019 891671829|a904951360|a913097088
020 9781783204113|qpbk
020 1783204117|qpbk
020 |z9781783204250|qePDF
020 |z9781783204267|qePUB
040 BTCTA|beng|erda|cBTCTA|dYDXCP|dOCLCO|dOCLCF|dKKU|dBDX|dMUU
|dTKN|dCHVBK|dCDX|dUAB|dZWZ|dS3O|dQGK
043 e------
049 CUYM
050 4 PN1995.9.E44|bB35 2015
082 04 791.43/6552|223
100 1 Ballesteros, Isolina,|d1960-|eauthor.
245 10 Immigration cinema in the new Europe /|cIsolina
Ballesteros.
264 1 Bristol, UK ;|aChicago, IL, USA :|bIntellect,|c2015.
264 4 |c©2015
300 xv, 265 pages :|billustrations ;|c23 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references and index.
505 0 Race, mobile masculinities and class -- Female
transnational migrations and diasporas -- Human
trafficking and the global sex slave trade -- Queer
immigration and diasporas: performative identities, cross-
dressing displacement/assimilation -- The European family
in the face of otherness: family metaphors and the
redemption of white guilt -- Border-crossing road movies:
inverted odysseys and road to dystopia -- Identities in-
between in diasporic cinema.
506 Pacific Film Archive collection; non-circulating. |5 CBPF.
520 Immigration Cinema in the New Europe examines a variety of
films from the early 1990s that depict and address the
lives and identities of both first-generation immigrants
and children of the diaspora in Europe. Whether they are
authored by immigrants themselves or by white Europeans
who use the resources and means of production of dominant
cinema to politically engage with the immigrants'
predicaments, these films, Isolina Ballesteros shows, are
unmappable--a condition resulting from immigration
cinema's recombination and deliberate blurring of filmic
conventions pertaining to two or more genres. In an age of
globalization and increased migration, this book theorizes
immigration cinema in relation to notions such as gender,
hybridity, transculturation, border crossing,
transnationalism, and translation.
648 7 1990-talet|2sao
648 7 Sekelskiftet 2000|2sao
650 0 Emigration and immigration in motion pictures.
650 0 Motion pictures|zEurope|xHistory.
650 0 Immigrants in motion pictures.
650 7 Emigration and immigration in motion pictures.|2fast
|0(OCoLC)fst00908733
650 7 Immigrants in motion pictures.|2fast|0(OCoLC)fst01903569
650 7 Motion pictures.|2fast|0(OCoLC)fst01027285
650 7 Film.|0(DE-588)4017102-4|2gnd
650 7 Einwanderung.|0(DE-588)4457569-5|2gnd
650 7 Émigration et immigration|xAu cinéma.|2ram
650 7 Cinéma|zEurope|xHistoire et critique.|2ram
650 7 Utvandrare på film, Europa.|2sfit
650 7 Invandrare på film, Europa.|2sfit
650 7 Invandrare i filmen.|2sao
651 7 Europe.|2fast|0(OCoLC)fst01245064
651 7 Europa.|0(DE-588)4015701-5|2gnd
651 7 Europe.|2ram
655 7 History.|2fast|0(OCoLC)fst01411628
935 .o17751032
956 20160825|bPRVY
956 20171025|bpfmcq|cMC
957 OCLC xref loaded 20171105
994 92|bCUY