LEADER 00000cam a2200709 a 4500 001 641506666 003 OCoLC 005 20180110045811.0 008 100917s2011 inua b s001 0 eng 010 2010037827 016 7 015776985|2Uk 020 9780253356185 (cloth : alk. paper) 020 0253356180 (cloth : alk. paper) 020 9780253223012 (pbk. : alk. paper) 020 0253223016 (pbk. : alk. paper) 040 NZ1|beng|cNZ1|dDLC|dYDX|dBTCTA|dYDXCP|dIUP|dBWX|dUKMGB |dMIX|dIAD|dCIA|dBDX|dA7U|dZAD|dNYWWB|dCHVBK|dOCLCF|dGBVCP |dMMV|dTFW|dOCLCO|dCUY 042 nznb 043 u-nz--- 050 00 PN1998.3.C3545|bF69 2011 082 00 791.430233092|aB|222 100 1 Fox, Alistair. 245 10 Jane Campion :|bauthorship and personal cinema /|cAlistair Fox. 260 Bloomington :|bIndiana University Press,|cc2011. 300 xii, 269 p. :|bill. ;|c23 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 500 Jane Campion is a New Zealand filmmaker. 504 Includes bibliographical references (p. 233-262) and index. 505 0 Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship. 520 "Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material--including interviews with Campion and her sister and personal writings of her mother--Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next"--Publisher description. 600 10 Campion, Jane,|d1954-|xCriticism and interpretation. 600 17 Campion, Jane,|d1954-|2fast|0(OCoLC)fst00292074 600 17 Campion, Jane|d1954-|2gnd|0(DE-588)119288516 600 17 Campion, Jane,|d1954-|2gnd|0(DE-601)08009466X 630 07 Bibel|pPhilemonbrief|2gnd|0(DE-588)4075950-7 650 0 Women motion picture producers and directors|zNew Zealand. 650 7 Women motion picture producers and directors.|2fast |0(OCoLC)fst01178163 650 7 Film|2gnd|0(DE-601)104559683 651 7 New Zealand.|2fast|0(OCoLC)fst01204542 655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 776 08 |iOnline version:|aFox, Alistair.|tJane Campion. |dBloomington : Indiana University Press, ©2011 |w(OCoLC)929536015 956 %date|bpfmcq|cCC 957 OCLC xref loaded 20180121 994 C0|bCUY