Projected medium / 1967
Title | Leah |
Item type | Projected medium |
Author(s) | Jost, Jon |
Imprint | [United States Jon Jost, 1967 |
Language | English |
URL | Link to original record |
Notes |
|
Physical description | 1 reel of 1 (1140 ft.) (31 min.) : opt sd., b&w ; 16 mm. triacetate print. |
Languages:
Date text:
1967Publisher:
Jon JostSubject headings:
Item Type:
Oskicat subjects:
Millenium MARC Record:
LEADER 00000ngm 2200325Ma 4500
001 43993925
005 20000506 TAPE oclc9991: 0121
007 mr baaadmnartnnac199212
008 000710s1967 xxu031 mleng d
009 Reclvl: f Addate: 000710 Addid: OCL Moddate: 080528 Modid:
XRF
035 (PFA-FILM)199
035 GLADN50874431
040 CUY|eamim|cCUY
090 |b1612-82-3981
245 00 Leah|h[motion picture] /|c[filmmaker, Jon Jost]
257 U.S.
260 [United States :|bJon Jost,|c1967]
300 1 reel of 1 (1140 ft.) (31 min.) :|bopt sd., b&w ;|c16 mm.
|3triacetate print.
500 Running time: 31:28.
500 No credits or date on film; information supplied from:
Film: the front line, 1983 / Jonathan Rosenbaum.
506 Pacific Film Archive collection; non-circulating.|5CBPF.
510 4 Sutherland, Allan T. "American independent: Jon Jost," in
press packet in Pacific Film Archive People file: Jon Jost
520 The camera follows 20-year-old Leah as she wakes, walks
through the Chicago streets, and goes about her day. She
speaks on a voiceover about her life, describing what she
is doing while the viewer observes her actions, and using
her quotidian moments as opportunities to discuss larger
issues: life, death, love, sex, philosophy. As she stands
on a freeway overpass, she says that cars scare her; that
bus and train stations make her sad because it reminds her
of people leaving. Brushing her teeth provides the
opportunity to discuss foods that cause cancer and the
atom bomb's likelihood of killing the populace before
cancerous foods do. After walking through the streets and
visiting a park, Leah visits a friend's house where young
people are discussing the war in Vietnam. Leah has no
opinion about the war, and feels ennui at the party. A
friend drives her to her apartment, and in watching the
faces of people they pass she ruminates on the alienation
of people and her inability to form meaningful
relationships. Throughout the film, occasional
intertitles appear quoting from Alain Fournier's Le grand
meaulnes, in essence commenting on or describing what Leah
is saying, but in a "higher" language unrelated to daily
experience. At the end of the film, the
520 filmmaker's voice reads a quote over a black screen,
rather than print the text.
590 PFA 1612-82-3981. |aCONDITION NOTE: Last inspected: 19 Dec
1992; warped; Excellent condition: print slightly warped
as it comes off reel
655 7 Shorts.|2mim
655 7 Documentaries and factual works|2mim
655 7 Personal/independent films.|2mim
690 U.S. films
700 1 Jost, Jon.
935 GLADN50874431
956 20140224|bPFA migration/merge load
957 OCLC xref loaded 20140928
961 PFA 1612-82-3981.|bOn 1200 ft. reel.
994 92|bCUY