LEADER 00000ngm 2200421Ma 4500 001 43993919 005 20000506 TAPE oclc9991: 0107 007 mr maaadmnartabac199208 008 000710m19611967xxu003 mleng d 009 Reclvl: f Addate: 000710 Addid: OCL Moddate: 080528 Modid: XRF 035 (PFA-FILM)14530 035 (PFA-FILM)232 035 (PFA-FILM)181 035 GLADN50874440 040 CUY|eamim|cCUY 099 4 1604-01-1957 099 4 1612-01-8852 245 00 Looking for mushrooms|h[motion picture] /|c[filmmaker, Bruce Conner] 257 U.S. 260 [United States :Bruce Conner,|c1961-1967] 300 1 reel of 1 (108 ft.) (3 min.) :|bopt sd., col. and b&w ; |c16 mm.|3triacetate print. 500 The music sound track is a song performed by John Lennon. 500 No credits or date on film; information supplied from filmmaker's filmography in PFA's People file: Bruce Conner file no. 3. 500 Handwritten on filmography, referring to this film and Breakaway: "Push these last two films to FULL volume." 500 Running time: 03:06. 506 PFA 1612-01-8852. Restricted: For PFA exhibition only. 506 PFA 1604-01-1957. Restricted: Not for research use. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 510 4 Curtis, David. Experimental cinema. New York: Universe Books, 1979,|cp. 149 510 4 MacDonald, Scott. A critical cinema: interviews with independent filmmakers. Berkeley: University of California Press, 1988,|cp. 250 510 4 Renan, Sheldon. Introduction to the American underground film,|cp. 137 518 Filmed in Mexico. 520 On his filmography, Conner describes this film as "Famous documentary containing complete information. Special effects by Isauro Nava, Rancho del Cura, Huatla de Jimenez, Mexico." The film uses frenetic, fast cutting of street and village scenes in Mexico to give a hallucinogenic effect . Scenes include graveyards, people gambling and playing cards, and fireworks. After the fireworks, the setting switches to city scenes, including highways, traffic signals, and gardens. The fast cutting is continued throughout, implying that one can expand one's perceptions in both rural and urban environments. 541 0 PFA 1612-01-8852. D0209 590 PFA 1612-01-8852. |a First on reel with: Breakaway. |aCONDITION NOTE: Inspected: 2000/07/24 Excellent condition; no dirt; no splices; no scratches; all films hot spliced together with black slug between films CONDITION NOTE: Last checked: 2007/03/29 same CONDITION NOTE: Last inspected: 2007/01/25; Very good to excellent condition; color is excellent; warped; 0.5% shrink 590 PFA 1604-01-1957. |aCONDITION NOTE: Last inspected: 2006/ 11/02; scratches; Fair to good condition: many scratches, one continuous; color good; bad damage in first 10 ft. due to misthreading--holes punched intermittently mid-frame by projector claw 590 PFA 1604-01-16758.|aSecond on reel with Breakaway. Notes on original can: Private use only. No public exhibition. Re-focus before second film--the films are printed on opposite sides of the film stock.|aEdge code: Eastman Rev II 1966.|aCONDITION NOTE: Inspected (2010?) Color is excellent (Kodachrome); slight warp; very light wear. 651 0 Mexico|xFilms and video. 655 7 Shorts.|2mim 655 7 Personal/independent films.|2mim 690 U.S. films 700 1 Conner, Bruce,|d1933-2008. 700 1 Lennon, John,|d1940-1980. 935 GLADN50874440 941 0 PFA 1612-01-8852. D0209 donation in honor of Jacquelynn Baas; 1999/02/12 941 0 PFA 1604-01-1957. PFA. 945 LW title varies: Breakaway 946 PFA 1612-01-8852. Record revised 2010/07/14 by js (945) 946 PFA 1612-01-8852. Steve Seid cryptically reports that today we don't know what the ̀John Lennon soundtrack' is, and "TOMORROW we'll NEVER KNOW". 946 PFA 1604-01-1957. Steve Seid cryptically reports that today we don't know what the ̀John Lennon soundtrack' is, and "TOMORROW we'll NEVER KNOW". 948 PFA 1612-01-8852. Restricted: For PFA exhibition only. 948 PFA 1604-01-1957. Restricted: Not for research use. 956 20140224|bPFA migration/merge load 956 20170106|bpfmcq|cMC 957 OCLC xref loaded 20170423 961 PFA 1604-01-1957.|bStored on 400 ft. reel. 961 PFA 1604-01-1957.|bStored on 400 ft. reel. 994 92|bCUY