Title | The Parisian avant-garde in the age of cinema, 1900-1923 |
Item type | Book |
Author(s) | Wild, Jennifer |
ISBN |
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Language | English |
URL | Link to original record |
Notes |
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Physical description | xv, 344 pages,; ill.; 23 cm |
Languages:
Date text:
Publisher:
Subject headings:
Item Type:
Oskicat subjects:
Millenium MARC Record:
LEADER 00000cam a22005058i 4500
001 892514380
003 OCoLC
005 20150410112620.0
008 140930t20152015cau b s001 0 eng c
010 2014038863
020 9780520279889 (cloth)
020 0520279883 (cloth)
020 9780520279896 (pbk. : alk. paper)
020 0520279891 (pbk. : alk. paper)
040 CU-S/DLC|beng|erda|cCUS|dDLC|dOCLCO|dBDX|dYDXCP|dBTCTA
|dOCLCF
042 pcc
043 e-fr---
050 00 N72.M6|bW55 2015
082 00 700.944/09041|223
100 1 Wild, Jennifer,|d1972-|eauthor.
245 14 The Parisian avant-garde in the age of cinema, 1900-1923 /
|cJennifer Wild.
263 1504
264 1 Oakland, California :|bUniversity of California Press,
|c[2015]
264 4 |c©2015
300 xv, 344 pages,;|bill.;|c23 cm
336 text|2rdacontent
337 unmediated|2rdamedia
338 volume|2rdacarrier
504 Includes bibliographical references and index.
505 0 Introduction: the cinema's lessons -- Seeing through
cinema: projection in the age of Cubism -- Apollinaire's
aura: Picabia, the diagram, and early film stardom --
Duchamp's diagrams: film, spectator, star -- The vertical
gaze: cinematic beholding in the age of war -- The radical
time of reception: the cinema of ballistics -- The
distribution of subversive systems: Dada, Chaplin, and the
end of an age.
520 "Scholars have long been fascinated with the affinities
between early cinema, Cubism, and the avant-garde.
Jennifer Wild argues that these affinities are more
complex than previously imagined and can be derived from
historical research. Drawing from a vast popular cultural,
cinematic, and art historical archive, Wild challenges how
we have told the story of modern artists' earliest
encounter with cinema and urges us to reconsider how early
projection, film stardom, and film distribution shaped
their understanding of modern life, representation, and
the act of beholding. This book provides a new history and
historiography that reshape how we understand French art
and cinema in the first decades of the twentieth century"-
-Provided by publisher.
648 7 1900 - 1999|2fast
650 0 Art and motion pictures.
650 0 Avant-garde (Aesthetics)|xInfluence.
650 0 Art, French|y20th century.
650 0 Cubism.
650 0 Motion pictures|xHistory|y20th century.
650 7 Art and motion pictures.|2fast|0(OCoLC)fst00815412
650 7 Art, French.|2fast|0(OCoLC)fst00816279
650 7 Avant-garde (Aesthetics)|xInfluence.|2fast
|0(OCoLC)fst00824285
650 7 Cubism.|2fast|0(OCoLC)fst00884864
650 7 Motion pictures.|2fast|0(OCoLC)fst01027285
655 7 History.|2fast|0(OCoLC)fst01411628
954 20160715|bMarcive Authority Bib
956 20150925|btsab01|cMA
956 20150410|bnts
956 20160714|bpfmcq|cMC
957 OCLC xref loaded 20160724
994 C0|bZAP