LEADER 00000cam 2200577Ii 4500 001 884396796 003 OCoLC 005 20150623152711.0 008 140722t20142014enka b 001 0 eng d 015 GBB484290|2bnb 016 7 016822048|2Uk 019 905840910 020 0861967143 020 9780861967148 040 YDXCP|beng|erda|cYDXCP|dUKMGB|dBDX|dTXA|dOCLCQ|dOCLCF|dVVC |dAMH|dCDX|dERASA 041 0 eng|afre 049 CUYL 050 4 PN1993.5.A1|bP47 2014 082 04 791.43/309034|223 245 00 Performing new media, 1890-1915 /|cedited by Kaveh Askari, Scott Curtis, Frank Gray, Louis Pelletier, Tami Williams and Joshua Yumibe. 264 1 New Barnet, Herts :|bJohn Libbey Publishing Ltd,|c[2014] 264 2 Bloomington, IN :|bDistributed in Asia and North America by Indiana University Press 264 4 |c©2014 300 vii, 327 pages :|billustrations ;|c23 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 504 Includes bibliographical references and indexes. 505 00 |gPart I.|tPerforming on the screen : actors and personalities --|tLois Weber at Rex : performing femininity across media /|rShelley Stamp --|tDiva intermedial : Lyda Borelli between art, photography, theatre and cinema /|rIvo Blom --|tWhy sue "Little Mary?" : how Independent Moving Pictures Company of America v Gladys Smith and Owen Moore (1911) defined celebrity and professionalism for film actors /|rLeslie Midkiff DeBauche --|tCamera distance and acting in the Griffith Biography / |rCharles O'Brien --|tPerformance times : the lightning cartoon and the emergence of animation /|rMalcolm Cook -- |tLa transparence du Fregoligraph en question /|rFrédéric Tabet --|tIn the flesh : personal appearances and the picture personality in Britain /|rChris O'Rourke -- |tPerformers : now synchronised on screen /|rIan Christie --|gPart II.|tPerforming beside the screen : narrators, showmen, and musicians --|tMissing believed lost : the film narrator, then and now /|rMartin Loiperdinger -- |tStandards of practice in transition : the showmanship of Jasper Redfern as it emerged /|rPeter Walsh -- |tShowmanship skills and the changing role of the exhibitor in 1910s Scotland /|rMaría Antonia Vélez-Serna - -|tShowing film in winter (1904-1906) : Alberts Frères' film galas in Dutch multi-purpose buildings /|rAnsje van Beusekom --|tPerforming new media and the creation of national identity : Kräusslich and Köpke in Norway before 1910 /|rGunnar Iversen --|tMusic programming and the formation of Swedish cinema culture /|rChristopher Natzén --|t"Marvelous and fascinating" : L. Frank Baum's Fairylogue and radio-plays (1908) /|rArtemis Willis -- |tThe multiple media lecture : Racing with death in Antarctic blizzards (1915) /|rGregory A. Waller --|gPart III.|tPerforming with the screen : audiences, educators and officials --|tKinoreformbewegung revisited : performing the cinematograph as a pedagogical tool / |rFrank Kessler and Sabine Lenk --|tHealth on display : the Panama-Pacific International Exposition as sanitary venue /|rMarina Dahlquist --|tLyrical education : music and colour in early non-fiction film /|rJennifer Peterson --|t"Offensive and riotous behaviour"? Performing the role of an audience in Irish cinema of the mid-1910s /|rDenis Condon --|tTango mad and affected by cinematographitis : rhythmic "contagions" between screens and audiences in the 1910s /|rKristina Köhler --|gPart IV.|tIntermedial performance --|tScreening sensations and live performance : the creative blending of traditional and new projected media at the start of the twentieth century /|rLudwig Maria Vogl-Bienek --|tLe spectacle de lanterne magique considèrè sous l'angle de la conférence : quelques traces écrites d'une performance orale /|rAlain Boillat -- |tGetting to know the Dutch : magic lantern slides as traces of intermedial performance practices /|rSarah Dellmann --|t20 minutes or less : short-form film-and- theatre hybrids : skits, sketches, playlets, and acts in vaudeville, variety, revues, &c. /|rGwendolyn Waltz -- |tBetween Karagöz and cinema : connectivity, mobility, collectivity /|rCanan Balan --|tEntre nouveauté et continuité : le spectacle cinématographique serait-il une émergence des ombres françaises? /|rThierry Lecointe -- |t"Performed live and talking. No kinematograph" : amateur performances of Tableaux vivants and local film exhibition in Germany around 1900 /|rDaniel Wiegand --|tPerforming painting : projected images as living pictures / |rValentine Robert --|tColour as performance in visual music, film tinting and digital painting /|rJoshua Yumibe --|tCoda --|tEarly cinema today and its "digital performance" : the re-discovery of The soldier's courtship (1896) /|rFranziska Heller. 506 Pacific Film Archive collection; non-circulating. |5 CBPF. 546 28 essays in English and 3 in French. 650 0 Silent films|xHistory. 650 0 Motion pictures and theater|xHistory. 650 7 Motion pictures and theater.|2fast|0(OCoLC)fst01027423 650 7 Silent films.|2fast|0(OCoLC)fst01118542 655 7 History.|2fast|0(OCoLC)fst01411628 700 1 Askari, Kaveh,|eeditor. 700 1 Curtis, Scott,|eeditor. 700 1 Gray, Frank,|eeditor. 700 1 Pelletier, Louis,|eeditor. 700 1 Williams, Tami,|d1970-|eeditor. 700 1 Yumibe, Joshua,|d1974-|eeditor. 935 .o17208786 956 20150623|bPRVY 956 20180110|bpfmcq|cMC 957 OCLC xref loaded 20180121 994 92|bCUY