LEADER 00000ngma 2200385Ka 4500 001 318539331 003 OCoLC 005 20090415113625.0 007 vr bzahou 008 090415s1975 xxu vleng d 035 (PFA-FILM)17804 035 (PFA-FILM)17798 035 (OCoLC)318539331 040 CUY|beng|cCUY 049 CUYM 099 0550-121-8991 245 04 [The rolling tones 24 hour video opera]|h[videorecording] /|cfilmmaker, Kenneth Werner [AKA Phil Harmonic]. 257 United States. 260 United States :|bUniversity Art Museum,|c[1975]. 300 1 videoreel of 1 :|bsd., b&w :|c1/2 in. 500 Performed at the University Art Museum, University of California, Berkeley by Phil Harmonic and the Nu-Tones on July 17, 1975. 506 Pacific Film Archive collection; non-circulating. Access by appt. only.|5CUY. 520 "This live performance is another in a continuing series of worldwide cultural events, prepared with the intention of helping to de-mystify the relationship between people and art and technology. It is a component part of the larger event entitled "The Rolling Tones 24 Hour Video Opera", an audio visual production that is suitable for performance in most any environmental setting and time structure, since its details will change to suit the occasion of its realization. Some of the source materials for the piece consist of many of my compositions in various media since "Duke of Windsor (1970-71)" such as "Weather, High Fidelity, Radio Music", and "Win A Dream Date With Phil", as well as the entire history of recording and broadcast media, including improvised sounds and images. This presentation opens and closes with "Palm Tree Video", a steady-state video translation of terrestrial tropical and pseudo-tropical phenomena. "Radio Music" (some of which will be heard today as tuned by John Bischoff) is one way of describing man's relationship to his immediate surroundings in terms of the changing technological environment. The piece serves to make audible some of the many high-frequency radio waves that surround and saturate us throughout our lives, using traditional amplification and recording (resonating) media. Its title refers to the "The Radio Music City Hall Symphony Orchestra", a term which I invented n 1968 in New York City to describe musical work with electronic means within contemporary social and political structures. In an optimum performance situation, the music synthesizer system and the TV Typewriter device should be replaced by "black boxes" performing the functions of generating sustaining electronic sounds as desired (in one case) and making the thought energy of anybody present available to anybody else (in the other). The elementary feedback system of recording and subsequent playback could also extend into more sophisticated responsive system, i.e., humans at any distance assisted by computer memory, video/ laser/microwave, etc."--Kenneth Werner, from a poster advertising the event. 541 0 |3PFA 0550-121-8992.|aD0121|cdeposit|dacquired 1992/09 |5CBPF 541 0 |3PFA 0550-121-8991.|aD0121|cdeposit|dacquired 1992/09 |5CBPF 655 7 Personal/independent works.|2mim 655 7 Music.|2mim 690 Performance art. 700 1 Harmonic, Phil,|edirection,|emusic. 710 2 Nu-Tones (Musical group) 710 2 University Art Museum and Pacific Film Archive. 941 0 PFA 0550-121-8992. acquired 1992/09 941 0 PFA 0550-121-8991. acquired 1992/09 946 PFA 0550-121-8992. Record created 2009/04/15 by sw. 946 PFA 0550-121-8992. "Dub." 946 PFA 0550-121-8992. On reel with: Sight line. #69b on 9/27/ 84 UAM inventory list 946 PFA 0550-121-8991. Record created 2009/04/14 by sw. 946 PFA 0550-121-8991. "Master." 946 PFA 0550-121-8991. On reel with: Sight line. #69b on 9/27/ 84 UAM inventory list 956 pfsw 956 20140224|bPFA migration/merge load 957 OCLC xref loaded 20170423 994 02|bCUY