LEADER 00000nam 2200325 a 4500 001 54959944 005 20040819 TAPE OCLC0819: 0120 008 040820s2004 nyua b 001 0 eng 009 Reclvl: f Addate: 040820 Addid: OCL Moddate: 080603 Modid: XRF 010 2004007969 020 0826415687 (pbk. : alk. paper) 035 (PFA-BOOKS)7251 035 GLADN185325783 040 DLC|cDLC|dYDX|dCUY 050 00 PN1996|b.G84 2004 082 00 808.2/3|222 090 PN1996|b.G84 2004 REF 100 1 Gulino, Paul Joseph. 245 10 Screenwriting :|bthe sequence approach /|cPaul Joseph Gulino. 260 New York :|bContinuum,|cc2004. 300 xiv, 230 p. :|bill. ;|c21 cm. 504 Includes bibliographical references (p. 225) and index. 505 0 Why sequences? -- The origin of sequences -- How a screenplay works -- How sequences work -- Toy story: firing on all eight -- The shop around the corner: fractured symmetry -- Double indemnity: flashback to the future -- Fellini's nights of Cabiria: nocturnal episodes -- North by northwest: 1,700 miles in nine sequences -- Lawrence of Arabia: sixteen sequences and an intermission -- The graduate: passive main character -- One flew over the cuckoo's nest: midpoint reversal -- Air Force One: eight sequences eight miles up -- Being John Malkovich: the disappearing lead actor -- The fellowship of the ring: the shotgun approach. 506 Pacific Film Archive collection; non-circulating.|5CUY. 650 0 Motion picture authorship. 690 0 Scriptwriting. 856 42 |3table of contents|uhttp://www.loc.gov/catdir/toc/ ecip0417/2004007969.html 935 GLADN185325783 956 20140929|bpfmcq|cMR 957 OCLC xref loaded 20141012 964 PFA PN1996.G84 2004 REF. |bCAT/A 994 02|bCUY