by Dougherty, Cecilia; Wexner Center for the Visual Arts
TitleThe third interval
Item typeVHS
Author(s)Dougherty, Cecilia
LanguageEnglish
URLLink to original record
Notes
  • "The Third Interval is named for Paul Virilio's writings on speed, the Internet, the human place on the electronic bullet train. Shot with my old Nokia cell phone, and mixed with Apple's GarageBand software, this is a low-tech homage to all the lives that are lived in between the spaces of the coming moments of communication over/under- load. Additionally, I was in the mood for letting the horror of everyday life surface for a few minutes - the confusion, noise, and the universe of near-hits that I often feel pulling at my heels. And one should remember that the horror movie is, most of all, create for the fun of it. Post-production partially funded by the Wexner Center for the Arts at the Ohio State University."-- Cecilia Dougherty, the artist's Vimeo.com page, https:// vimeo.com/14740578
  • Pacific Film Archive collection; non-circulating. Access by appt. only. CBPF.
Physical description2 videocassettes (8:39) (Digital Betacam NTSC) : sound, color ; 1/2 in.

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Dougherty, Cecilia
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Millenium MARC Record: 
LEADER 00000ngm a2200397Ii 4500 001 971982604 003 OCoLC 005 20170209022804.0 007 vf czahos 008 170209s2010 nyu009 vleng d 040 CUY|beng|erda|cCUY 245 04 The third interval /|c[video installation by Cecilia Dougherty]. 257 United States. 264 0 [New York] :|b[Cecilia Dougherty],|c[2010]. 300 2 videocassettes (8:39) (Digital Betacam NTSC) :|bsound, color ;|c1/2 in. 306 000839 336 two-dimensional moving image|btdi|2rdacontent 337 video|bv|2rdamedia 338 videocassette|bvf|2rdacarrier 344 |3channel 1|gsilent 344 |3channel 2|gstereo|2rda 347 video file|bDigital Betacam.|2rda 500 "The Third Interval is named for Paul Virilio's writings on speed, the Internet, the human place on the electronic bullet train. Shot with my old Nokia cell phone, and mixed with Apple's GarageBand software, this is a low-tech homage to all the lives that are lived in between the spaces of the coming moments of communication over/under- load. Additionally, I was in the mood for letting the horror of everyday life surface for a few minutes - the confusion, noise, and the universe of near-hits that I often feel pulling at my heels. And one should remember that the horror movie is, most of all, create for the fun of it. Post-production partially funded by the Wexner Center for the Arts at the Ohio State University."-- Cecilia Dougherty, the artist's Vimeo.com page, https:// vimeo.com/14740578 506 Pacific Film Archive collection; non-circulating. Access by appt. only. |5 CBPF. 520 Two channel video installation. Cell phone footage of city life is heavily processed to create a swirling experience of modern existence. 538 Digital Betacam NTSC 541 0 |3PFA 0504-01-15561. |a D0181 |c donation |d 2012/05/29 |5CBPF 541 0 |3PFA 0504-01-15562. |a D0181 |c donation |d 2012/05/29 |5CBPF 590 PFA 0504-01-15562.|aSingle-channel (combined left + right) preview version. One tape. 655 7 Video installations (Art)|2lcgft 655 7 Experimental films.|2lcgft 655 7 Short films.|2lcgft 700 1 Dougherty, Cecilia,|eartist. 710 2 Wexner Center for the Visual Arts,|esponsoring body. 956 20170209 |bpfmcq|cCO 957 OCLC xref loaded 20170312 994 C0|bCUY