“When Satyajit Ray passed on, I was very depressed. But after seeing Kiarostami's films, I thanked God for giving us just the right person to take his place.”-Akira Kurosawa
“We are living in the era of Kiarostami, but don't yet know it.”-Werner Herzog
One of the most critically acclaimed and influential filmmakers of the past twenty-five years, Abbas Kiarostami (b. 1940) is the equivalent of a Godard, Kurosawa, or Fellini-a director whose films have given new direction to world cinema. Honing his craft as a documentary filmmaker concerned with the lives of children in Iran, he later gained a following in the West with a series of remarkable films that were at once documentary and fiction, “real” and created (And Life Goes On, Close-Up, Through the Olive Trees, and Where Is the Friend's Home?). Kiarostami solidified his standing with Taste of Cherry, which shared the Palme d'or at Cannes in 1997, and with 1999's The Wind Will Carry Us. Starting with the barest of scripts, and improvising specifics with his nonprofessional casts, Kiarostami crafts fictions that are barely removed from real life, works of deceptive simplicity and indefinable poetry that philosophize on how we film reality, view reality, and most of all, how we understand reality. In recent years he's nearly abandoned narrative cinema, instead channeling his passion for photography and fine art (he studied painting and design at Tehran University) into digital video works such as Five, a Buddhist-like study of the rhythms and beauty of the natural world.
We are proud to present this Kiarostami retrospective, which captures each stage of the director's remarkable career, along with a companion exhibition of his photography in the BAM galleries. Together they showcase an artist who has not only entered the pantheon of world cinema, but refigured our very idea of what “cinema” can be.
For the Family
Many of Kiarostami's films, especially his rarely screened early works made for the Institute for the Intellectual Development of Children and Young Adults, speak to adults and youths alike in their poetic, often humorous evocation of the world of young people in Iran. The Traveler, The Experience, The Wedding Suit, and Where Is the Friend's Home are all particularly suitable for younger viewers.