This year's edition of our annual African Film Festival spotlights pool attendants in Chad, Beethoven lovers and gangsters in Kinshasa, Tuareg immigrants in Italy, a Spanish filmmaker in Morocco, and even two African American hipsters in San Francisco as it spans the globe to feature new voices from Africa and the African diaspora. A Screaming Man, from Chadian director Mahamat-Saleh Haroun (Daratt), acclaimed as one of Africa's top contemporary filmmakers, anchors the festival, which also features a strong line-up of works from and about the Democratic Republic of Congo. Viewers can sample a documentary about a classical orchestra in Kinshasa (Kinshasa Symphony), then dive head-first into the city's gangster life in the Tony Scott–like action film Viva Riva!, before embarking on a rich experimental documentary series-part animation, part archival footage-on the entire history of the country (Kongo). Starting the series off is Barry Jenkins's festival hit Medicine for Melancholy, a contemporary work about two young African Americans in San Francisco whose visit to the Museum of the African Diaspora reminds us of the importance of seeking out images and narratives from all over the world, whether from Chad, the Congo, Italy, or San Francisco.