It is with great pleasure that we welcome Agnès Varda as our Afterimage guest to discuss her work from the perspective of what it means to be committed to an idea, to a politics, to an aesthetic. She presents her 2000 documentary The Gleaners and I, one of her most powerful and popular films, as well as three short films, two of which Varda made while visiting the Bay Area in the late 1960s.
Varda began making films in the mid-fifties: her feature La Pointe Courte (1954) was an important precursor to the French New Wave movement. Since then, she has made numerous shorts, essay films, documentaries, features, and, more recently, installation works. Varda describes her style of expression as cinécriture (film-writing): “The cutting, the movement, the points-of-view, the rhythm of filmmaking and editing have been
felt and considered in the way a writer chooses the depth of meaning and sentences, the type of words, number of adverbs, paragraphs, asides, chapters which advance the story or break its flow.” Varda's ability to make non-ideological films anchored in social reality is part of the strength of her cinema. Her work responds to life in a personal and sophisticated way, reflecting her private and public role as one of France's leading directors.