Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again

April 12–July 30, 2023

Alexandre Dumas’s Afro reassembles the “scattered pieces” of Dumas and his circle, including American actress, poet, and painter Adah Isaacs Menken.

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Nadar: Alexandre Dumas, 1855; carte de visite: albumen print on cardboard; Darcy Grimaldo Grigsby Collection.
Photo: Whit Forrester

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Sunday, April 16, 3 PM
Darcy Grimaldo Grigsby and Vanessa Jackson on Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again

Cocurators of Alexandre Dumas’s Afro, Darcy Grimaldo Grigsby and Vanessa Jackson, introduce the exhibition, which examines caricature, race, and the infantilization of Alexandre Dumas, the prolific author of The Three Musketeers and The Count of Monte Cristo, among many other books. Why, they ask, is Dumas’s work so often celebrated in films, comics, and children’s books yet ignored by scholars?

BAMPFA
Wednesday, April 12, 5 PM
Darcy Grimaldo Grigsby on Creole: Portraits of France’s Foreign Relations During the Long Nineteenth Century

To mark the opening of Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again, which she guest curated together with Vanessa Jackson, Darcy Grimaldo Grigsby introduces her new book, Creole, with a presentation designed to frame and contextualize the exhibition.

BAMPFA

Past Films

Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again

Cal Conversations

April 12–July 30, 2023

Alexandre Dumas père (father)—the celebrated and prolific nineteenth-century author of The Three Musketeers, The Man in the Iron Mask, and The Count of Monte Cristo, among many others—was a man of mixed race whose father was nicknamed “The Black Hercules” while serving as a general in Napoleon Bonaparte’s army. Dumas père’s grandmother Cezette Du Mas was a Haitian slave; his grandfather was the white French aristocratic planter who owned her and her children. The revolutionary general, Dumas père, and the latter’s son, Dumas fils (son), also a celebrated author, all chose to bear the patronym of a slave woman rather than a white aristocrat, yet their Blackness has come in and out of view, sometimes attacked, sometimes erased, and sometimes celebrated.

Dumas père well understood the price of fame, yet like so many during this century of explosive...

Dumas père well understood the price of fame, yet like so many during this century of explosive innovation, including a rapidly expanding press and the birth of photography, he was thrilled by it. He lamented that the celebrated man “no longer belonged to himself; for applause and honors, he had sold himself to the public. . . . Publicity with its thousands of voices, would break him into pieces, scatter him over the world.” Posing complicated questions about caricature’s exaggerations, racial typologies, and the challenge of individuating men of color, Alexandre Dumas’s Afro reassembles the “scattered pieces” of Dumas and his circle, including American actress, poet, and painter Adah Isaacs Menken.

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This exhibition is organized by BAMPFA staff and guest curated by Darcy Grimaldo Grigsby, Richard and Rhoda Goldman Distinguished Professor in the Arts and Humanities at UC Berkeley, and Vanessa Jackson, a PhD student in the history of art at UC Berkeley, in collaboration with four undergraduate researchers: Krista McAtee, Riley Saham, Antonio Soto-Beltran, and Molly Wendel. The exhibition is based on Grigsby’s collection, a gift to BAMPFA, and accompanies the publication of her book Creole: Portraits of France’s Foreign Relations During the Long Nineteenth Century.

Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again

Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again

April 12–July 30, 2023

Past Events

Darcy Grimaldo Grigsby and Vanessa Jackson on Alexandre Dumas’s Afro: Blackness Caricatured, Erased, and Back Again

Darcy Grimaldo Grigsby on Creole: Portraits of France’s Foreign Relations During the Long Nineteenth Century

Past Films