An intensely creative painter, performance artist, filmmaker, and videomaker, Alfred Leslie was a key figure in the New York art and poetry scene of the fifties and sixties, and his work and influence have continued into the present. In a two-program series highlighting his long career, we feature his collaboration with Robert Frank and Jack Kerouac on the legendary Pull My Daisy, and with poet Frank O'Hara on a number of films. Leslie lost most of his early work in a fire that consumed his studio in 1966, the year of O'Hara's death. Much of his vibrant new work draws on salvaged fragments, including a reconstruction of his multimedia performance at the Guggenheim in 1965, assisted by recent PFA guests Ken and Flo Jacobs. Leslie has also returned to O'Hara's poems, using them as text-titles in two new videos, one a found-footage collage, the other including images from Leslie's graphic novella Attached by the Heart. Two fascinating documents reveal Leslie's creative process: his new A Stranger Calls at Midnight, “a self-interview of sorts,” and the 1966 USA: Poetry, Frank O'Hara, in which Leslie discusses his paintings and O'Hara his poetry. Artist and curator Ian White wrote: “Radically intelligent, not least for their irreverence, his works define and continue to extend an extraordinary line between personal expression, hysterical mundanity, the allure of Hollywood, anecdotal incisiveness, formal experiment, abstraction and figuration, that is as much the description of one of the most important periods in twentieth-century creative practice as it is of twenty-first-century aplomb.”