Enjoy rarely screened works by Ingmar Bergman in an intimate, salon-style setting.
Read full descriptionIn Bergman’s first major work, a young writer’s encounters with a prostitute fulfill the declaration that begins the film: “Human life is an inferno.”
In Bergman’s first major work, a young writer’s encounters with a prostitute fulfill the declaration that begins the film: “Human life is an inferno.”
The redemptive power of music is Bergman’s central theme in this portrayal of an ambitious, mercurial violinist (Stig Olin), featuring the great Victor Sjöström as an orchestra conductor.
The redemptive power of music is Bergman’s central theme in this portrayal of an ambitious, mercurial violinist (Stig Olin), featuring the great Victor Sjöström as an orchestra conductor.
A philandering gynecologist (Gunnar Björnstrand) preens while his wife and daughter (Eva Dahlbeck and Harriet Andersson) carry the day in this comedy “notable among Bergman’s work for its freedom and spontaneity of invention, its emotional richness, warmth and generosity” (Robin Wood).
A philandering gynecologist (Gunnar Björnstrand) preens while his wife and daughter (Eva Dahlbeck and Harriet Andersson) carry the day in this comedy “notable among Bergman’s work for its freedom and spontaneity of invention, its emotional richness, warmth and generosity” (Robin Wood).
Set in the classical music world, Bergman’s first film in color is a satire about pompous men and the women (Bibi Andersson, Harriet Andersson, and Eva Dahlbeck) who stroke men’s vanity while getting just what they want from them.
Set in the classical music world, Bergman’s first film in color is a satire about pompous men and the women (Bibi Andersson, Harriet Andersson, and Eva Dahlbeck) who stroke men’s vanity while getting just what they want from them.