Bergman 100: An Emerging Style
Bergman 100: An Emerging Style
July 20–August 19, 2018
Enjoy rarely screened works by Ingmar Bergman in an intimate, salon-style setting.
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All These Women
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Prison
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To Joy
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A Lesson in Love
- Upcoming
Films - Past
Films - Past
Events
Past Films
Prison
Ingmar Bergman
Sweden, 1949Friday, July 20 7:30 PMView DetailsIn Bergman’s first major work, a young writer’s encounters with a prostitute fulfill the declaration that begins the film: “Human life is an inferno.”
Prison
Ingmar Bergman
Sweden, 1949Sunday, July 22 3 PMView DetailsIn Bergman’s first major work, a young writer’s encounters with a prostitute fulfill the declaration that begins the film: “Human life is an inferno.”
To Joy
Ingmar Bergman
Sweden, 1950Friday, August 3 7:30 PMView DetailsThe redemptive power of music is Bergman’s central theme in this portrayal of an ambitious, mercurial violinist (Stig Olin), featuring the great Victor Sjöström as an orchestra conductor.
To Joy
Ingmar Bergman
Sweden, 1950Sunday, August 5 3 PMView DetailsThe redemptive power of music is Bergman’s central theme in this portrayal of an ambitious, mercurial violinist (Stig Olin), featuring the great Victor Sjöström as an orchestra conductor.
A Lesson in Love
Ingmar Bergman
Sweden, 1954Friday, August 10 7:30 PMView DetailsA philandering gynecologist (Gunnar Björnstrand) preens while his wife and daughter (Eva Dahlbeck and Harriet Andersson) carry the day in this comedy “notable among Bergman’s work for its freedom and spontaneity of invention, its emotional richness, warmth and generosity” (Robin Wood).
A Lesson in Love
Ingmar Bergman
Sweden, 1954Sunday, August 12 3 PMView DetailsA philandering gynecologist (Gunnar Björnstrand) preens while his wife and daughter (Eva Dahlbeck and Harriet Andersson) carry the day in this comedy “notable among Bergman’s work for its freedom and spontaneity of invention, its emotional richness, warmth and generosity” (Robin Wood).
All These Women
Ingmar Bergman
Sweden, 1964Friday, August 17 7:30 PMView DetailsSet in the classical music world, Bergman’s first film in color is a satire about pompous men and the women (Bibi Andersson, Harriet Andersson, and Eva Dahlbeck) who stroke men’s vanity while getting just what they want from them.
All These Women
Ingmar Bergman
Sweden, 1964Sunday, August 19 3 PMView DetailsSet in the classical music world, Bergman’s first film in color is a satire about pompous men and the women (Bibi Andersson, Harriet Andersson, and Eva Dahlbeck) who stroke men’s vanity while getting just what they want from them.