Each year, the Center for Asian American Media brings us the best in contemporary cinema from Asia and the Asian diaspora. The thirty-first installment of this adventurous festival at the PFA Theater features films and documentaries from China, India, Indonesia, Japan, the Philippines, Taiwan, Thailand, the United States, and a real rarity, a feature film from North Korea.
In conjunction with the festival's special highlight on filmmakers from Singapore, we devote an Afterimage series to the sometimes controversial director Royston Tan. Tan introduces three films and joins artist and critic Valerie Soe in conversation following the screening of the provocative 15, a film heavily censored upon its first release. We also present two films by the great Thai director Apichatpong Weerasethakul in recognition of his video installation Morakot (Emerald), now on view in the galleries as part of our MATRIX Program: his newest, Mekong Hotel, and the 2010 Cannes Grand Prize–winner Uncle Boonmee Who Can Recall His Past Lives.
And each year, this bold film festival, previously known as the San Francisco International Asian American Film Festival, brings us unexpected surprises. This year, it's a name change–welcome to the new CAAMFest!