A beautifully filmed musical portrait of the talented cellist Wieder-Atherton, who has written scores for a number of Akerman's films and who here performs with pianist Imogen Cooper. With A Voice in the Desert, an experimental documentary on a woman lost on the U.S./Mexico border.
"Inspired by Proust's La Prisonnière, Akerman has created an elegant and soulful meditation on desire, obsession, love, and pain."-Toronto Film Festival
Akerman turns Jules and Jim on its funny little head in this ménage à trois. "An elegant and stylish French comedy that's as subversively funny as its...young lovers. An astonishingly handsome, seriously comic extravaganza."-Variety
A self-portrait in film clips: "The recycled footage has its own eloquence, deriving from Akerman's use of duration and the moment-to-moment power of the individual shot."-Village Voice
The cinema's most eloquent evocation of Sartre's observation, "Hell is other people." With Moving In.
Free tickets available at the PFA Theater starting at 3 p.m. Related with surprising subtlety and intimacy, Akerman's film is a "lesbian coming-of-age story, probably the most evocative ever made."-Amy Taubin, Village Voice
"Inspired by Proust's La Prisonnière, Akerman has created an elegant and soulful meditation on desire, obsession, love, and pain."-Toronto Film Festival
"Akerman, the mistress of minimalism, has made her own midsummer night's sex comedy, with a superabundance of stories and a cast of (almost) thousands....Her most accessible film."-Time Out
Inspired by Isaac Bashevis Singer, Akerman and a cast of New York actors spin deadpan tragicomic tales of Jewish immigrants. "The sorrow and beauty throughout her work, with its shining nocturnal moods and glowering compulsive activities, has a lot to do with exalting...the neglected corners of the world around us."-Jonathan Rosenbaum