Dedicated to the memory of May '68 and its surrounding history, this series evokes an expansive sense of global unrest in films by Godard, Oshima, Pontecorvo, Costa-Gavras, and many others.
Read full descriptionIntroduced by Ken Knabb. Guy Debord's film of his book-a provocative example of the subversive Situationist tactic détournement.
Special Admission: $12. Peter Watkins's “revolutionary” film beautifully and daringly reenacts the Paris Commune, making it very much about today. Part 1: 1–4 p.m.; Part 2: 5–8 p.m.
Known here as Burn!, Gillo Pontecorvo's gutsy follow-up to Battle of Algiers stars Marlon Brando as an agent provocateur. Shown in an uncut version.
Yves Montand and Irene Papas in a true classic of political suspense, made by exiles including Greek director Costa-Gavras.
With the excellent John Voight, Paul Williams's film set in 1970 London is “a masterful piece of social observation.”-Time Out.
Stylish documentary from Mexico looks at the disillusionment of 1968 in the next generation's youth. With Comunicados.
“Oshima demands of his Japanese audience that it confront what has befallen the restless youths of the New Left.”-Joan Mellen.
“Because of its perfect fusion of form and content, one of the most strikingly successful subversive films ever made.”-Amos Vogel.
A new print of Jean-Luc Godard's 1967 Pop-agitprop, prophetic portrait of revolutionary youth.
Introduced by Larry Bensky. In analyzing history, “Chris Marker has a genius for poetic aphorism and the documentary equivalent of the bon mot.”-Village Voice.
Alain Tanner and John Berger's beloved, marginal, funny characters live out May '68 ideals in 1976.
Bernardo Bertolucci's early masterpiece has “the lyricism and narcissism . . . of the intelligent young.”-Pauline Kael.