“Sirk has made the tenderest films I know; they are the films of someone who loves people, and doesn't despise them as we do.”-R. W. Fassbinder
First in Germany, then in postwar Hollywood, Douglas Sirk made melodramas, dark reflections of characters who take the mirror image of life for the real thing. His postwar films combine a European intellectual's distanced view of the crazy dreams that dominate American culture with a deep sympathy for the tragic impact those dreams have on individual lives. Sirk's fusion of cynicism and sentiment in a precise visual baroque (“a director's philosophy is lighting and camera angles,” he once said) has been a major inspiration for filmmakers from Fassbinder to Todd Haynes. Looking forward to a group of new prints of Fassbinder works that will screen at PFA in August and September, we present these nine films, inviting you to experience Sirk on the big screen, to rediscover his irony and...