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Duane Linklater: can the circle be unbroken 1, can the circle be unbroken 2, can the circle be unbroken 3, can the circle be unbroken 4, can the circle be unbroken 5, 2019; digital print on hand-dyed linen (black tea, sumac, charcoal, cup-and-saucer ochre, iron-red pigment, dandelion, cypress-yellow ochre, blueberry extract, black-walnut, nails; dimensions variable; Collection SFMOMA, Accessions Committee Fund purchase Commissioned by the San Francisco Museum of Modern Art. Photo: Jueqian Fang.
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Duane Linklater: dislodgevanishskinground, 2015; twelve painted tepee poles, steel cable, charcoal, rope, digital print on linen (black tea, blueberry extract, sumac, charcoal); 220 x 174 x 174 in.; courtesy Catriona Jeffries, Vancouver. Photo: Jueqian Fang.
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Duane Linklater: can the circle be unbroken 3 (left), can the circle be unbroken 5 (right), 2019; digital print on linen with black-walnut and iron-red and black-walnut dyes, cypress-yellow ochre, black tea, charcoal; dimensions variable; collection SFMOMA, Accessions Committee Fund purchase Commissioned by the San Francisco Museum of Modern Art. Photo: Jueqian Fang.
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Duane Linklater: Modest Livelihood, 2012; Super 16mm film, transferred to blu-ray; 50 minutes; Courtesy Catriona Jeffries, Vancouver Photo: Jueqian Fang.
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Duane Linklater: boys don’t cry, 2017; digital prints on hand-dyed linen; 122 13/16 x 172 13/16 in. (overall); Collection Art Gallery of Ontario, Toronto. Purchase, with funds from the Dr. Michael Braudo Canadian Contemporary Art Fund and the Art Toronto 2019 Opening Night Preview, 2019, 2019/2305. Photo: Dennis Ha, courtesy Catriona Jeffries, Vancouver.
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UMFA1981.016.002, UMFA1981.016.001 [Kwakiutl Chief's Mask]; 2015; two natural ABS 3D prints, mirrored tables; dimensions variable; purchased with funds from The Phyllis Cannon Wattis Endowment Fund, from the Permanent Collection of the Utah Museum of Fine Arts at the University of Utah. Photo: Hong Cheolki/Seoul Museum of Art, courtesy Catriona Jeffries, Vancouver.