Much of the extraordinary life work of the French filmmaker and anthropologist Jean Rouch (1917–2004) focused on Africa, where for over sixty years he made ethnographic films in a radical style that continued to evolve. A pioneer of cinema verité and an influence on the French New Wave, Rouch experimented with improvisation, introducing fiction to documentary, and collaborating with his subjects. Rouch brought a deep sense of social justice to depicting contemporary life, whether Parisians in his seminal Chronicle of a Summer or the rituals and dreams of West Africans in his ethno-fictions Moi, un noir and Jaguar.
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