Visual ballet meets political analysis in the films of this Hungarian artist. “An essential director whose work cannot be seen, should not be seen, anywhere other than on the big screen” (Cinematheque Ontario).
Read full descriptionMiklós Jancsó (Hungary, 1967). A former Red soldier hides from a ruthless crackdown in this hypnotic black-and-white epic. “Totally unlike anything else in the cinema.”-John Russell Taylor (73 mins)
Miklós Jancsó (Hungary, 1972). Jancsó won Best Director at Cannes for this riveting psalm-song set during an ill-fated Hungarian farmworkers' revolt. “Perhaps the most ecstatic fusion of political and formal radicalism since Dozvhenko's Earth.”-J. Hoberman (88 mins)
Miklós Jancsó (Hungary, 1967). Central Russia during the 1918 Civil War is the setting of Jancsó's disquietingly beautiful ballet of war and death, shot in breathtaking black-and-white CinemaScope. (90 mins)
Miklós Jancsó (Hungary, 1966). A prison on the vast Hungarian plains, and the prisoners and guards that circle therein, are at the crux of this critique of the relations between the powerful and the powerless. “Boldly stylized, a synthesis of Antonioni, Bresson, and Welles.”-J. Hoberman (94 mins)